I'm Confused - agents interested? - experience vs. credentials

Status
Not open for further replies.

chan

Hello!
Super Member
Registered
Joined
Feb 19, 2008
Messages
318
Reaction score
151
Location
Texas
Ok, I trust what everyone is saying in the thread about lettering (agents not really representing graphic novelists because of the lack of money, etc.), but I'm really confused because on agent blogs I read and on agent query, etc. a lot of agents are calling specifically for graphic novels.

Also, over at the Verla Kay Blue Boards people are submitting graphic novels to agents and agents seem to be taking people on and at least requesting partials and fulls.

It seems like agents tend to cover more of the mainstream publishers--like Scholastic's Graphix imprint. Is that where my disconnect is?

I'm just confused about the different info I'm getting about agents and graphic novels.
 

Chris Huff

Super Member
Registered
Joined
Jun 15, 2008
Messages
131
Reaction score
19
Website
www.sisyphus-books.com
My knowledge of comics comes from places like Dark Horse, Marvel, DC, Oni and the like.

It could be utterly different for Scholastic and the like.
 

Axler

Banned
Joined
Feb 18, 2005
Messages
1,053
Reaction score
63
Location
New England...where else?
Website
www.markellisink.com
True, a number of agents are interested in representing graphic novels and quite a few major publishers have opened graphic novel divisions or imprints.

But I've run into a lot of agents and a whole lot of so-called graphic novel editors with have little to no idea of what a graphic novel really is.

I can tell you what it isn't...

A graphic novel isn't a 90 page adaptation of The Three Musketeers with crudely rendered line art barely above stick figures and panels copied and pasted multiple times with only the text in the dialogue balloons or captions changed.

Publishing that kind crap which won't sell will lead clueless editors and equally clueless agents to throw up their hands and bleat :"Graphic novels are dead!"

They're unable differentiate between garbage like that and say, 300.


Bernadette Baker at Baker's Mark Literary seems to know what a graphic novel is supposed to be.

http://www.bakersmark.com
 

chan

Hello!
Super Member
Registered
Joined
Feb 19, 2008
Messages
318
Reaction score
151
Location
Texas
Hopefully I can get an answer without starting a new thread, but I was wondering: Is it valuable to get experience by contributing to publications or webcomics for which you won't get paid? Will that matter to anyone when it does come time to submit?
 

Axler

Banned
Joined
Feb 18, 2005
Messages
1,053
Reaction score
63
Location
New England...where else?
Website
www.markellisink.com
Well, a credential is a credential...but I wouldn't focus too much on getting work that doesn't pay. The experience may be valuable, but in the long run, editors will be more impressed with the current work you're submitting.
 

Gary Clarke

Knackered
Super Member
Registered
Joined
Nov 13, 2007
Messages
1,032
Reaction score
235
Location
Ireland
Website
www.celinekiernan.com
Hi Chan, I was shocked when my agent expressed an interest in my graphic novel. She had taken me on because of my YA fantasy novels and when she found out that I was also a graphic novelist she stunned me by asking to read the scripts and see the art work.

She's very keen to rep me on them apparently! I can't for the life of me understand why, as there is so little money in the graphic novel business, but there you go. i can attest to at least one agent who is repping graphic novels :0D

Saying that, she doesn't seem to take GN subs, it seemed to simply be a peripheral interest for her.
 
Last edited:

FinbarReilly

Super Member
Registered
Joined
Aug 2, 2007
Messages
458
Reaction score
50
Location
Sacramento, CA
Website
twosparrows.5gigs.com
Hopefully I can get an answer without starting a new thread, but I was wondering: Is it valuable to get experience by contributing to publications or webcomics for which you won't get paid? Will that matter to anyone when it does come time to submit?

Contributing to a webcomic is different than publications; you generally contribute to a publication for the credit, whereas a webcomic is created partially as a portfolio as well as a method to possibly create a profit from (there's even a standard webcomic business model of sorts). In essence, a webcomic is seen as a way to promote yourself, gain experience, and make a few bucks, whereas submitting to a publication that only pays in copies is usually just for the credit of being published....

FR
 

C.bronco

I have plans...
Super Member
Registered
Joined
Jul 3, 2006
Messages
8,015
Reaction score
3,138
Location
Junior Nation
Website
cynthia-bronco.blogspot.com
I just sent a question to an agent who says he represents graphic novels. I asked him about the format he expects for submissions, e.g. storyline, thumbnails, fully rendered text and art etc.

I promise to share.
 

chan

Hello!
Super Member
Registered
Joined
Feb 19, 2008
Messages
318
Reaction score
151
Location
Texas
Thank you. I appreciate that. Actually, I meant to share my experience with agents so far. I've submitted to 2 agents who represent graphic novels and both have requested additional materials.

Agent #1 (I don't want to give out names yet, sorry): Read my query letter and 5 pages of script, then asked for 100 manuscript pages, bios for me and an artist (if attached), and 10-15 pages of "representative art"--I don't think those pages have to all be paneled/sequential art

Agent #2: Read my query letter and 5 pages of script, then he checked out the artist's portfolio. He said he wants sample pages of art and text working together to see if the project is a good match for him.

So...that's my experience so far. Hope that helps someone.

C. Bronco, I'll be interested to see what the agent says. I really want to know how much they expect done before they take someone on as a client.
 
Status
Not open for further replies.