I liked the concept but not its application. This show needs better writers.
There were too many instances in which the culture clash from 2008 to 1973 were supposed to shock or surprise the main character. Yes, it surely would, at first, but he seems to have adjusted far too easily. Where's the anger, the depression, the desperation to return to his real life and save his girlfriend, or his grief that by now, it's too late? Where's the wonder at what will happen if he [SPOILER ALERT] does manage to kill the little boy who later becomes the monster who's kidnapped her? [END SPOILER] He's not stupid, so he should be at least considering the outcome of messing with the past, shouldn't he? After all, in the 1990s he'd have been required to read that Ray Bradbury story, A Sound of Thunder, like every other American high school student.
It also bugged me that he manages to function as a good cop one moment, then is surprised or taken aback by how things were/are the next moment. And please, must he be the only cop able to catch a bad guy in a foot chase? He's supposed to be 39. A guy that age in great shape is unlikely to be as fit or fast as a cop who's 25.
Alas, poor casting in Harvey Keitel, who's a fine actor. As a door-busting tough guy, he's looking every bit of his age, 69.
Good wardrobe, hairdressers, and such. They've got the look down pretty well.
Maryn, underwhelmed