• Guest please check The Index before starting a thread.

Lionsong Publishing

Marian Perera

starting over
Super Member
Registered
Joined
Dec 29, 2006
Messages
14,854
Reaction score
6,337
Location
Heaven is a place on earth called Toronto.
Website
www.marianperera.com
I checked Lionsong Publishing's page on Facebook, and on January 8, a writer commented that she would be in touch "once I've got a little extra money". Lionsong replied that she wouldn't be charged for publication, which was fine, but there was a follow-up comment from someone who now works for the press:

See, start-up publishers CAN do it right. So glad you're bringing a little good back to the publishing world.

To me, that implies Lionsong Publishing is doing something unusual by not charging writers, which shows serious inexperience. Either that, or it's an attempt to create an "us good, publishing world bad" scenario, which would be worse.
 

triceretops

Banned
Flounced
Joined
Feb 12, 2005
Messages
14,060
Reaction score
2,755
Location
In a van down by the river
Website
guerrillawarfareforwriters.blogspot.com
Renee, welcome and please understand this. Every publisher or agent that has appeared in BRBC has had their feet held to the fire in one form or another for any number of issues or reasons. I mean, simply, inquires and questions about their operation. I can assure you that it is not a personal vendetta to crucify the start-ups or new agents. The information contained herein is a valid source to inform, enlighten and even to protect writers from publishers who might not be a good fit for them. We assume all hearts are in the right place and we understand the motives for trying to create a publishing house that looks out for writers and appeases readers with attractive, entertaining books.

You would not believe the professional company you keep here. We have agents and big-time NYC editors who all contribute to this thread. They are an invaluable resource for any publisher because their advice is so valuable and pertinent to the subject matter. Many, many publishers have listened to the discussions here and amended their contracts, not out of pressure or influence, but from learning and applying sound and reformed business tactics to their operation. It's a win-win situation for publishers who care to learn and advance.

We've been doing this for years and know which target questions to ask. They appear blunt or stark, but believe me we have to get to the point quickly, if possible.

The damage to writers and their careers is devastating if they do not carefully pick their publishing houses. I've suffered such a catastrophe and lost two books. I have a third book going down the pipe as I type this. I did not listen. I did little research or neglected to follow sound advice when it was offered. This board serves to prove that no one is the exception to any rule--writers or publishers.

Renee, you're a book lover and start-up publisher. We need people like you. We're not interested in telling you what you're not or what you lack as much as how you can achieve it and make your profile shine. And it all begins with some basics. Reread this thread and see if you can identify some of the basics that concerns writers.

tri--and welcome to AW!
 

ReneeScatts

Registered
Joined
Jan 18, 2013
Messages
10
Reaction score
2
Location
Australia
Website
reneescattergood.wordpress.com
I understand that some of you are trying to protect writers, but several of you are taking it too far. This has nothing to do with me not having a thick skin. It has to do with the fact that you are taking companies and individuals and putting them on trial here with the attitude that they are guilty until proven innocent. I'm sorry, but I don't care how long your community has been here. You have not earned enough credibility with me to make me feel I have to justify myself to you.

As I said, I am happy to answer people's questions. It's why I have the FAQ page and contact form. It's why I have the Facebook page and the blog. I encourage people to ask questions. Does it matter whether or not those questions are answered here?

This isn't about answering questions, though. It's about proving my worthiness to you, so you can then tell people whether or not it's okay to trust me. From my point of view, you have proclaimed yourselves the authority on who can and can't be trusted in the publishing industry. You may be disturbed by how I am doing things within my company because it's not familiar to you, but the god complex that seems to have developed here has me concerned.

I'm sorry, but like I said. I don't know you. I have no reason to trust you or your intentions here. From my perspective, you have made yourselves an authority on this subject and are expecting that writers should trust your word based on your self-proclaimed authority. If they want to believe what you write here as gospel, then that is their choice. I would encourage them to do their own research and make their own choices rather than taking the word of a group of people who have declared themselves an authority on anything (I don't trust gurus).

The truth is, it's obvious some people here have been hurt by publishing companies that have gone under, or whose intentions were not honorable. This tells me that their opinion is biased, and they are going to shoot down anything new. Every new venture comes with risk. The author we signed is well aware of that, and has chosen to put her faith in us despite the fact that we are new. We all know this could fail, but we also know it can succeed. I do not ask anyone to place faith in me blindly. I do not hide the fact that we are just getting started.

Tell me something, though. If every writer waited two years for a new publishing company to be “established” how would it get established with nothing to publish? Does that mean a writer should just blindly trust a new publisher (or any publisher or agent for that matter)? No! It means they should ask questions and do research, so that they can make an informed decision as to whether it is a risk they would like to take. You are taking that decision from people with what you have set up here. Maybe instead of putting companies and individuals on trial here, you should instead teach writers the right questions to ask when approaching a publishing company or agent. Teach them how they can do the research for themselves so they can make their own decisions and yes, their own mistakes (since making mistakes is how we learn).

How fair is it to wrongly label a publishing company or literary agent as untrustworthy, based on your methods of evaluation here, and take away a potential opportunity that a writer could have had? If a company or individual is known in the industry to be untrustworthy because of bad experiences several people have had with them, then by all means make people aware of it. I don't believe your methods of evaluation here are professional nor ethical.

I would like to ask that Queen of Swords (and anyone else who has done or is considering doing it) stop taking quotes from my website, blog and Facebook pages to post here (especially when they are quoting others without their permission), using them out of context to further her agenda. The last quote she used about some start up publishers being able to do it right was only part of a conversation that had to do with the fact that the other party has been running into many publishing companies that charge the authors to publish with them. She was wondering if I was doing the same thing, and when I made it clear I wasn't, she made that comment. So the quote was taken out of context for the purpose of discrediting me, and I don't appreciate it. This is exactly what I'm referring to about being “attacked”. There are those here who are going to try and twist everything I say to try and make me look bad simply because I'm an unknown factor.

This is not how you go about gathering information about a company for the purpose of being sure whether or not they are legit. The “professional” way is to approach the person in private to ask questions, and not to lay them over the coals publicly and put them on the spot. I don't see where this has ever been done to other companies in a legitimate fashion. Even writers who review companies and products for blogs don't publicly question the company or its products and then write about them. They do the research and ask the questions in private, and then they publish their findings.

Do you want to know how this situation could have been handled more professionally?

“Renee, it's great you have started your own publishing company, but there have been others who have done so in the past, and it has caused problems for many writers. I have some concerns I'd like to address and questions I'd like to ask. I may even have some advice that can help you. Would you mind if I contacted you privately so we could discuss this?”

That would not have offended me, and I would have been happy to listen to you and answer all your questions here if it was done in a more professional manner. However, I won't be bullied into complying with your demands out of fear of having my company's name tarnished. I will fight to prove my company's worth, if that's what it takes, but I won't do it according to your rules.
 

kaitie

With great power comes
Super Member
Registered
Joined
Sep 10, 2009
Messages
11,732
Reaction score
4,650
Sigh. There is no agenda against you. I know it probably feels that way to you, but honestly, there isn't. You should stick around here and read the other threads and you'll see that everyone gets the same questions.

The thing is, we didn't just randomly decide you were guilty until proven innocent. We looked at your website and saw several red flags and important things were missing. We brought those red flags to the attention of other writers. We found the evidence on the website that this was probably not a venture run by experienced professionals in the field and responded as such.

If we were wrong in any of this, the easiest thing to do would be to answer the questions. Sadly, it comes across that the reason you won't answer the questions is because you know we won't be satisfied. And to be honest, we won't if the answers are "I'm just an unpublished writer who decided to open a publishing company."

The professional thing to do would be to recognize that our questions are no different than getting a rejection from a publisher--they aren't personal. These are public because these boards aren't for publishers, they're for writers. When you have a company that is open to submissions from the public, you have opened yourself to conversation, and unfortunately you can't control that conversation because you dislike what it says. This conversation exists to let writers know whether or not this publisher would be a good choice to submit to.

You aren't being bullied, and the sad part is the thing you could do that would give the best impression of you is to answer questions politely. Maybe you should take some time to read the other threads on this board and see how it works. As I said, I think if you put on your writer hat, you'll see the reasons we do this.

If you don't choose to participate in the conversation, that's fine, but you can't control it, either. And for what it's worth, I have yet to see any quotes taken out of context. At the very least, this is how the website comes across. If it's coming across in a way you didn't intend, it should be taken into consideration.
 

Wisteria Vine

Super Member
Registered
Joined
Jan 6, 2010
Messages
300
Reaction score
47
Location
Massachusetts
You have not earned enough credibility with me to make me feel I have to justify myself to you.

Then you know nothing about this site or its members. You're not the first publisher to come here and announce that they're going to change the world of publishing - HOW you plan to do that should be able to withstand questioning, without the hurt feelings you seem to have.



As I said, I am happy to answer people's questions. It's why I have the FAQ page and contact form. It's why I have the Facebook page and the blog. I encourage people to ask questions. Does it matter whether or not those questions are answered here?

Yes. It does. Any publisher who comes into a community to announce his/her business should be willing to return to that community to answer questions. Unless you were spamming for business (and I'm not accusing you of that), you should be willing to return to answer the questions generated by YOUR post. [/QUOTE]

but the god complex that seems to have developed here has me concerned.

Now who's being insulting?

I'm sorry, but like I said. I don't know you. I have no reason to trust you or your intentions here.

Likewise. But you're not submitting your novel to us for publication. You're not risking your publishing rights.

I would encourage them to do their own research and make their own choices rather than taking the word of a group of people who have declared themselves an authority on anything (I don't trust gurus).

Part of that research is COMING HERE to read the Bewares, Recommendations & Background thread. Why should they trust your brand new website, created by someone with limited publishing experience? Your firm should be able to withstand a critical eye. It's not personal, no matter how much you want it to be. As others have said, publishing is a business.

The truth is, it's obvious some people here have been hurt by publishing companies that have gone under, or whose intentions were not honorable. This tells me that their opinion is biased, and they are going to shoot down anything new.

Yes, people here have been harmed by fly-by-night organizations or new publishers who claim they're going to "change the face of publishing!" Yeah, that's great. But HOW do you plan on moving my books? And what happens when/if you go under? Hearing others' cautionary tales is helpful. That's why this thread is called "Bewares, Recommendations, Background Checks." I want to know what experience others have had with a firm.

Every new venture comes with risk. The author we signed is well aware of that, and has chosen to put her faith in us despite the fact that we are new. We all know this could fail, but we also know it can succeed. I do not ask anyone to place faith in me blindly. I do not hide the fact that we are just getting started.

Again, the risk should be YOURS. Not the author's. The author should know as much as they can before they submit to any publisher.

It means they should ask questions and do research, so that they can make an informed decision as to whether it is a risk they would like to take. You are taking that decision from people with what you have set up here.

This is absolute rubbish. No one is telling anyone not to go to your firm. They are asking questions which you are reluctant to answer. If they choose to risk their work with you, they will do it whether or not anyone here suggests otherwise. If you're confident in your model, then be confident in your model. You shouldn't feel threatened at all by the questions being posed.

Maybe instead of putting companies and individuals on trial here, you should instead teach writers the right questions to ask when approaching a publishing company or agent. Teach them how they can do the research for themselves so they can make their own decisions and yes, their own mistakes (since making mistakes is how we learn).

The questions they SHOULD ask are the questions you are BEING asked...which you are ignoring.

How fair is it to wrongly label a publishing company or literary agent as untrustworthy, based on your methods of evaluation here, and take away a potential opportunity that a writer could have had? If a company or individual is known in the industry to be untrustworthy because of bad experiences several people have had with them, then by all means make people aware of it. I don't believe your methods of evaluation here are professional nor ethical.

No one is wrongly labeling anyone here - well, maybe you are, by calling the members 'gurus' and telling us we have a 'god complex.' Sounds like a bunch of labels to me. And there is nothing unprofessional about any of these questions; the only lack of professionalism seems to be coming from you. Again, you need to grow a thicker skin if you plan to be in publishing for any length of time.

I would like to ask that Queen of Swords (and anyone else who has done or is considering doing it) stop taking quotes from my website, blog and Facebook pages to post here (especially when they are quoting others without their permission), using them out of context to further her agenda.

There is no agenda. If your FB page is public because you're a business, then there's nothing wrong with sharing that information in a community that explores that business.

This is exactly what I'm referring to about being “attacked”. There are those here who are going to try and twist everything I say to try and make me look bad simply because I'm an unknown factor.

No one in this community is making you look bad. YOU'RE making yourself look bad by acting so defensively.

This is not how you go about gathering information about a company for the purpose of being sure whether or not they are legit. The “professional” way is to approach the person in private to ask questions,

I'm not sure why you are so keen on having everything done so privately. If one person comes here and shares their experiences, then it saves having to send multiple single emails about questions that you should have no problem answering in public.


Do you want to know how this situation could have been handled more professionally?

Really? No. Really?

Or you could simply have said, "Thanks for your questions! I know we're an unknown entity, so let me explain how we do things...and I'm happy to answer any of your questions."

THAT would have been handling the situation professionally.


That would not have offended me, and I would have been happy to listen to you and answer all your questions here if it was done in a more professional manner. However, I won't be bullied into complying with your demands out of fear of having my company's name tarnished. I will fight to prove my company's worth, if that's what it takes, but I won't do it according to your rules.

Again, if you're in business, it's not about hurt feelings. It's about acting professionally and answering any reasonable question that comes your way. No one is bullying you. Stop taking it personally - others have handled threads like these with a lot more answers and a lot more grace.

AW is extremely welcoming to all new writers and publishers. We all want new places to publish and share our works.

But we're not going into it blindly. We ask tough questions because we need to.

If you can't - or won't - answer those questions, then I'm afraid that speaks volumes about your organization.

Judging by your responses to this thread, I'd have to take a pass on your company, but I do wish you well.
 

Marian Perera

starting over
Super Member
Registered
Joined
Dec 29, 2006
Messages
14,854
Reaction score
6,337
Location
Heaven is a place on earth called Toronto.
Website
www.marianperera.com
You know, Renee, for someone who doesn't have time to answer questions here, you've got plenty of time to write these long screeds.

This has nothing to do with me not having a thick skin. It has to do with the fact that you are taking companies and individuals and putting them on trial here with the attitude that they are guilty until proven innocent.

We don't start with the assumption that every publisher will be good for a writer's career.

Especially when it's clear, from that publisher's website and from that publisher's attitude, that they have no experience, no qualified staff and no ability to accept critical feedback.

I'm sorry, but I don't care how long your community has been here. You have not earned enough credibility with me to make me feel I have to justify myself to you.
Likewise, your press has earned no credibility with us.

I'm sorry, but like I said. I don't know you. I have no reason to trust you or your intentions here. From my perspective, you have made yourselves an authority on this subject and are expecting that writers should trust your word based on your self-proclaimed authority.
That is nonsense.

No one here posts "this press is not recommended, because we say so".

We post, "This press is not recommended, because of the following reasons". We don't expect writers to blindly trust us, either - we encourage them to do the research.

And I'm curious - on what basis do you expect writers should trust you when you ask for manuscripts?

The truth is, it's obvious some people here have been hurt by publishing companies that have gone under, or whose intentions were not honorable. This tells me that their opinion is biased, and they are going to shoot down anything new.
I've never been hurt by a publishing company that has gone under. Does that therefore convince you that my opinion is unbiased?

As for shooting down anything new, that is also nonsense. People here are fine with new agents and new publishers, as long as it's clear those agents and publishers either have experience (e.g. having worked for an established agent/publisher) or have a solid, workable business plan.

As opposed to having good intentions, a thin skin and not much else.

Every new venture comes with risk.
Different amounts of risk, though.

Would you agree with the saying, "All surgery is risky, therefore you should allow a first-year medical student to operate on you"? If you don't agree, why should we be told that every new venture comes with risk, and therefore we shouldn't critically evaluate an inexperienced startup press?

Tell me something, though. If every writer waited two years for a new publishing company to be “established” how would it get established with nothing to publish?
The time to get experience and credibility is before you open your doors, not after you've started asking writers for submissions.

Here's a hypothetical example to show you what I mean. If, tomorrow, Teresa Nielsen Hayden opened a new publishing company, I'd be the first to submit a manuscript. Even though that company is new. Why? Because Teresa Nielsen Hayden is an editor with decades of experience in the industry. She's not a writer who woke up one morning and thought, "You know, it would be really cool to be a publisher!"

Since you have no such experience to show, we caution writers to wait and see if your company pans out. Go here to see how many presses and agents are no longer in business.

You are taking that decision from people with what you have set up here.
Wait, I have to get this straight.

Are you saying that we are taking away people's free will to choose a publisher by our commenting on your press?

Does it work the other way around, too? When I was skimming your Facebook page full of uncritical praise and compliments, did that take away my ability to make an informed decision?

Maybe instead of putting companies and individuals on trial here, you should instead teach writers the right questions to ask when approaching a publishing company or agent.
That tells me you haven't looked around this site (despite your insistence that writers do research).

Teach them how they can do the research for themselves so they can make their own decisions and yes, their own mistakes (since making mistakes is how we learn).
Making mistakes is fine. What we don't encourage here is amateur publishers making those mistakes off the backs of writers - in other words, using those writers' manuscripts as guinea pigs while the publishers get the experience they lack.

How fair is it to wrongly label a publishing company or literary agent as untrustworthy, based on your methods of evaluation here, and take away a potential opportunity that a writer could have had?
What makes you so sure such labels are wrong?

As I said, check out the number of presses which have gone out of business. If something walks like a duck and quacks like a duck, it may be some exotic species of guinea fowl. Or it may be a duck.

If a company or individual is known in the industry to be untrustworthy because of bad experiences several people have had with them, then by all means make people aware of it.
You don't have to wait for people to have bad experiences.

Or to put it another way: if fifty people fall off the top of Mount Everest and die, I don't need to wait for someone to fall off the top of Mount K2 and die to conclude that yes, falling off the top of a very tall mountain is lethal. Even if that mountain is a different one.

Likewise, if we have seen fifty presses fail because they were started by writers who have no experience and who get hostile when questioned, we don't need to wait for other writers to report bad dealings with the fifty-first.

Also, no one is saying your company is untrustworthy, though I don't see much transparency either at this point. A lot of posters have said you have good intentions, and I still think you do, but that's nowhere near enough. A publisher can be very bad for writers without being an outright scam.

I don't believe your methods of evaluation here are professional nor ethical.
I don't think you have enough experience of publishing to correctly judge whether something is professional or ethical.

I would like to ask that Queen of Swords (and anyone else who has done or is considering doing it) stop taking quotes from my website, blog and Facebook pages to post here (especially when they are quoting others without their permission), using them out of context to further her agenda.
It's a public page. If you don't want someone to quote what is posted on a public page, make that page private.

The last quote she used about some start up publishers being able to do it right was only part of a conversation that had to do with the fact that the other party has been running into many publishing companies that charge the authors to publish with them.
So basically, this author's only experience so far has been with vanity presses that charge upfront fees, not with actual publishers.

She was wondering if I was doing the same thing, and when I made it clear I wasn't, she made that comment. So the quote was taken out of context for the purpose of discrediting me, and I don't appreciate it.
You're doing a good enough job of discrediting yourself and your press. No help needed there.

And my purpose in quoting that part of the conversation was to show that someone who is now an employee of your company seems to consider you are "bringing a little good back to the publishing world" by not charging an upfront fee.

That is something taken for granted when writers are dealing with actual, reputable publishers. Why not simply tell the writer so - tell her that no reputable publisher charges a fee? Why instead imply that you are doing something different, something which makes you stand out from the "publishing world"?

This is exactly what I'm referring to about being “attacked”.
Accurately quoting something from your public Facebook page and commenting on it makes you feel "attacked"?

I really hope none of your books get negative reviews.

The “professional” way is to approach the person in private to ask questions
So now I'm curious. Do you think there is ever a time when questions can be asked in public, or should writers always email publishers privately?

And if that is the only way writers should get information, how do they know that the publishers are telling them the truth? I mean, if I privately email PublishAmerica (one of the worst vanity presses out there), I'm sure they will respond by saying they are America's number one publisher. They already do, actually, on their web site. What should I do then, if it's "unprofessional", according to you, to ask questions in public on forums?

Anyway, publications like Consumer Reports must be very unprofessional because they make people's opinions and evaluations public, rather than encouraging people to privately contact manufacturers if they have questions. Oh well, you live and learn.

and not to lay them over the coals publicly and put them on the spot. I don't see where this has ever been done to other companies in a legitimate fashion. Even writers who review companies and products for blogs don't publicly question the company or its products and then write about them. They do the research and ask the questions in private, and then they publish their findings.
This, more than anything else, tells me that either you're not experienced in the industry or you're flailing around in an attempt to defend your press.

Writers don't publicly question the company or its products? Oh my. Have you ever seen a book review blog like Dear Author?

Do you want to know how this situation could have been handled more professionally?
Oh no, I already know.

You could have answered the questions in a straightforward manner instead of writing these long spiels. I still wouldn't have been impressed by your lack of experience, but at least you wouldn't have come across as so defensive.

“Renee, it's great you have started your own publishing company, but there have been others who have done so in the past, and it has caused problems for many writers. I have some concerns I'd like to address and questions I'd like to ask. I may even have some advice that can help you. Would you mind if I contacted you privately so we could discuss this?”
So you would have preferred to get dozens of private emails, and you would have preferred to reply to each one individually? I thought you didn't have much spare time.

I will fight to prove my company's worth, if that's what it takes, but I won't do it according to your rules.
The only way you should do it is by making a success of whatever manuscript an author has submitted to you in his or her own inexperience and hope.

Come back and let us know if that happens.
 
Last edited:

Katrina S. Forest

Super Member
Registered
Joined
Feb 24, 2009
Messages
2,053
Reaction score
281
Website
katrinasforest.com
Do you want to know how this situation could have been handled more professionally?

“Renee, it's great you have started your own publishing company, but there have been others who have done so in the past, and it has caused problems for many writers. I have some concerns I'd like to address and questions I'd like to ask. I may even have some advice that can help you. Would you mind if I contacted you privately so we could discuss this?”

While not verbatim, that is pretty close to how I phrased things:

I love the enthusiasm, but many, many publishers have joined this board claiming the exact same thing. Many of them have stopped existing within a couple years, taking their authors' book with them.

The only difference was that I followed up with the questions I wanted to ask publicly. Which might show new authors browsing this thread what kinds of questions they should be asking -- something you indicate would be a good thing for me to do.

I would like to ask that Queen of Swords (and anyone else who has done or is considering doing it) stop taking quotes from my website, blog and Facebook pages to post here (especially when they are quoting others without their permission), using them out of context to further her agenda.

I do not see how I was taking your mission statement out of context, but I have removed the quote from my post nonetheless. There is a link for people to see what I was referring to quite easily.
 

Marian Perera

starting over
Super Member
Registered
Joined
Dec 29, 2006
Messages
14,854
Reaction score
6,337
Location
Heaven is a place on earth called Toronto.
Website
www.marianperera.com
From Lionsong's website:

When I didn’t answer their questions as soon as they wanted them, the negative comments and “troll-like” bashing started.

Most of what Renee has there is the same as the defenses and claims she makes here: we're not willing to listen to anyone, we didn't bother to learn about her press before we started "bashing", she's always happy to answer questions, etc.
 

G. Applejack

Write faster! FASTER!
Super Member
Registered
Joined
Oct 22, 2010
Messages
417
Reaction score
61
Location
Oregon
I don't want to make this a total pile-on, but I read somewhere on this site that "Publisher is not an entry-level position" and it still rings true.

Renee, I have no doubt of your best intentions but (correct me if I'm wrong!) it doesn't look like you've been published yourself. How do you plan to make other best sellers if you've never tested your own theories? If you've never even had your name in print?

I was just about to add more, but as I clicked through your company I noticed the post you just made about AW accusing the people here of troll-like bashing. Renee, my best advice to you is to step away from the computer for the night. You're too close to see it but this is heading toward a melt-down.

This is not how a professional reacts to adversity (real or perceived). If you have faith in your company, don't torpedo it before it has a chance to get off the ground.
 

James D. Macdonald

Your Genial Uncle
Absolute Sage
VPX
Super Member
Registered
Joined
Feb 11, 2005
Messages
25,582
Reaction score
3,787
Location
New Hampshire
Website
madhousemanor.wordpress.com
Hi, Renee --

Let me recommend a couple of threads here:

First,

Why Publishers Fail

I'm not saying that your press will fail. But I am saying that it might be educational for you to see why other presses have failed.

Next,

INDEX TO AGENTS, PUBLISHERS, AND OTHERS


Check it out; there are hundreds of threads.

See all those links in gray? Those are publishers that have gone out of business. You might want to read a dozen or so of those threads. See what the publishers had in common. See if you can derive some information from the threads they left behind. (It won't do anyone any good to email the publishers themselves or call them on the phone to ask privately what went wrong: Their email addresses bounce and their phones have been disconnected.)_
 

Marian Perera

starting over
Super Member
Registered
Joined
Dec 29, 2006
Messages
14,854
Reaction score
6,337
Location
Heaven is a place on earth called Toronto.
Website
www.marianperera.com
It’s New, It’s Scary, It Must Be Bad
No one here is scared of your press, Renee.

I don't suppose you noticed the hundreds of threads in this forum, discussing hundreds of publishers and agents? Do you think we're all scared of them, too, or is your press the only terrifying one?

I once saw a thread on another board where a writer said she was starting her own press. The response was all uncritical praise, topped with the fist-pumping "Yeah! Stick it to the man!" And I wondered exactly how one more inexperienced startup would "stick it to" Random House or Hachette.

Implying that one's amateur startup press frightens people is another version of the belief that such presses leave the entire industry quaking.
 
Last edited:

BenPanced

THE BLUEBERRY QUEEN OF HADES (he/him)
Kind Benefactor
Super Member
Registered
Joined
Nov 5, 2006
Messages
18,017
Reaction score
5,109
Location
dunking doughnuts at Dunkin' Donuts
I doubt she'll see this...

Renee, if you feel you are being attacked, report the posts in question. There is a little red triangle with a black exclamation point in your profile info. Click on that and a mod will review the post to take appropriate action.
 

aliceshortcake

Wilde about Oscar
Super Member
Registered
Joined
Dec 4, 2010
Messages
1,633
Reaction score
258
Location
Oop North
All that drama and not a single response to any of the questions she was asked. I don't suppose there's any point in asking how Renee expected Lionsong's PoD books to become "spectacular" bestsellers...thereby making the company enough money to buy a machine to print more PoD books. It sounds like a sort of literary perpetual motion machine.

I hope Renee takes the time to look at those greyed-out links to defunct publishers, the vast majority of whom started out with the best of intentions and ended in tears.

As for Renee's objections to having her website quoted...fer pete's sake, did she expect nothing but rah-rah, stick-it-to-the-Big-Five cheerleading? If you put your name and that of your company before the public you should be prepared for tough questions. What should have been an opportunity for Renee to answer the perfectly valid points raised in this thread has degenerated into another High Hill Press rantfest.

As for her suggestion that questions should be asked privately...Renee, think about this. How could authors research potential publishers if the information they needed wasn't available online or in print?
 
Last edited:

Figgy

New Fish; Learning About Thick Skin
Registered
Joined
Oct 23, 2007
Messages
36
Reaction score
14
Location
Melbourne, Australia
Hi guys.

Long time lurker, occasional poster, sporadically obsessive IRCer.

I'm going to step in here and try and diffuse some of the tension.

As a long time lurker, I have seen these threads many a time, and I understand what it is like when a company has some areas of uncertainty, especially when they are encroaching on our turf.

I am involved in the company in question.

I work as assistant manager at a bookstore; have a diploma in Professional Book Editing, Proofreading and Publishing, and have been working as a freelance editor for the past couple of years.

I am the person who commented, as Queen of Swords mentioned, that " See, start-up publishers CAN do it right. So glad you're bringing a little good back to the publishing world."

The reason for my comment was not that the publishing world was bad, but rather because I had just spent weeks battling with "Wool Press Publishing", a company run by a couple of guys who don't have even a semi-decent grasp of English (often ended sentences in ",,," among many, many other things), and seemed to be targeting teens.
These guys, it seemed, were taking money to publish books, and ALSO taking a cut of the royalties, while not being able to offer any kind of industry experience. When Lionsong popped up on my radar, I rushed in to find out as much as I could about them, and liked what I saw, so I agreed to come on board.

Renee's experience is more on the marketing side of things, mine on the editing.

I'm going to end this post here and start a new one for answering questions, just so it doesn't get any closer to tl;dr territory.

And please excuse typos and such tonight; I have had a long day at work, on not much sleep, but I really do think I need to respond now to try and diffuse this situation as much as possible.
 

eqb

I write novels
Super Member
Registered
Joined
Feb 12, 2005
Messages
4,716
Reaction score
2,194
Location
In the resistance
Website
www.claireodell.com
I'm going to step in here and try and diffuse some of the tension.

There's no tension, actually. But I do appreciate your stepping in and offering to answer questions. Just to repeat the ones already asked by other posters:

Your "agents" appear to be a mix of editors, publicists and mentors. Can you elaborate on that?

Do your agents have experience as publicists? As content editors?

What experience do any of you have as a publisher?

Do you have distribution for your titles? Can you get them into print stores?

Do you have a cover artist or designer?

Do you pay royalties on cover price or net? If on net, what is your definition of net?
 

Figgy

New Fish; Learning About Thick Skin
Registered
Joined
Oct 23, 2007
Messages
36
Reaction score
14
Location
Melbourne, Australia
Can you explain what they are and what they do? From what I gather, they're a hybrid mix of editors, publicists and mentors? Can you elaborate on that?

Also, it's a publishing house yet you have agents. Who specialize in certain genre. That's strange - normally agents and publishing house aren't under the same roof.

They are a bit of a hybrid mix, and I agree that "Agent" is probably a bit of a confusing title, but it seemed the best option on start up. They are not "Agents" in the usual publishing sense of the word, but rather see a work through, from beginning to end. The person who reads the submissions and decides if the house takes a particular work on is the same person who edits/organises the editing, covers, proofreading, etc.


Here are my other questions:
1) What experience do your agents have? Do they have experience as publicists? Experience as editors?
2) What experience do you have as a publisher? Being a writer is great but there's a huge difference between being a writer and publisher.
3) Do you have distribution for your titles? Can you get them into print stores?
4) Do you have a cover artist or designer? I see no mention of it anywhere on the website.

1) Some agents will have more experience on the publicity side, others on the editing/industry side. At the moment, given that there are only three of us, we are all giving a little of our skill to the team, and getting a little back of a different skill set. The reason for the "Agents" and "Assistants" situation is to provide on the job training to new people that come on board. An agent trains the two assistants under them, and eventually the Assistants will progress onto becoming Agents, when they have a more well rounded understanding of the industry and the process.

2) For my part, I have been a writer for a very long time, as long as I can remember, and for the past couple of years I have been working as a freelance editor/publishing aid. I have been through the process with self publishers, and done some work for a couple of small presses.

3) I am an assistant manager at a bookstore, and am currently in the process of working out distribution. There is only so much distribution we can work out when our first title is not available yet.

4) We don't have one set cover designer, but we do have a couple waiting in the wings. These are either people who would like to come on board in a contracted role, or designers who work on a cover by cover basis, with greater expense on our part at the start.


Many of them have stopped existing within a couple years, taking their authors' book with them.

IF Lionsong fell, the author would retain all rights to their work. It is clearly outlined in the contract that the term is for three years, but that a number of circumstances (also outlined in the contract) would result in the author having full printing rights of their work.


Your About page is largely aimed at authors. But what about readers? That's the authors' ultimate goal, isn't it? If you want to help get writers feedback, why not start a website to connect authors with beta-readers and/or mentors? Or if you have the industry knowledge and want to help authors through the publishing process, why not produce a step-by-step guide to self-publishing? Then the author could keep 100% of the profits instead of splitting them 50/50.

That is a good point, we should have some information for the readers on our about page, we will look at getting something together.

There are forums in progress, and talk of that being open to the general public, not just the authors, in the future. In this instance, a writer certainly could go about obtaining feedback and betas. At the moment, though, it does have links back to places that also might be of use, including AW.

I have worked as a freelance editor and publishing aid, and a lot of those authors would still like to be "chosen".
I, for one, don't read a lot of self published novels, because SO MANY people out there do not bother to edit. SO MANY people out there are polluting the waters, and it makes it harder for those who work at their craft to be found.
We're trying to do that filtering job that the readers are after, while offering the rejected authors something to work towards. A lot of them don't or won't listen, we get that, but you can't blame a book fanatic for trying.

Also, from your mission statement, I must ask, what is it that you believe literary agents do? Because one of an agent's main jobs is to protect their clients from lousy contracts. If an agent is employed by the publishing company, that's a major conflict of interest.

Honestly, this feels like an attempt to remove any frustration from the process of creating a publishable novel. That does authors no favors and certainly does nothing for readers.

There is a lot of confusion over this ambiguous title, which means so much already in the publishing industry. The agent in this instance is actually an editor, publicist, and many other things rolled into one.

The goal of the company is not to ERASE all stress from the process, but minimise it where we can. In some cases this might be as simple as the agents striving to give more comprehensive feedback to authors, so that they might avoid making the same mistakes with future submissions. I realise this makes the slush process a lot more time consuming for us, but it gives the author something to work on improving, rather than just an ambiguous "not for us".
 

Figgy

New Fish; Learning About Thick Skin
Registered
Joined
Oct 23, 2007
Messages
36
Reaction score
14
Location
Melbourne, Australia
I'm sorry, but this sounds like a case of "jack of all trades, master of none". Editors, agents and marketing consultants aren't interchangeable, and none of them are entry level jobs (I also wonder why you're using the term "agent" in such an odd way). I'm sure you have good intentions, but so did many inexperienced publishers who went under within a couple of years and took their authors' intellectual property with them.

I know that can sound a bit confusing, but the situation is more that each of us has come to the table with a fair bit of experience and/or qualifications in one area, and we are sharing our knowledge and experience with the others. We do not retain any rights to the author's work after the contract period or in the instance of our company failing.

Are they only working for an Australian market? Also, is it true Australia doesn't do copyright?

Australia does automatic copyright, as do MANY countries, though some countries also have the option to pay for a piece of paper to that effect. If you read the information pages on these sites, you will find that even they admit that a copyright is an automatic thing.

In which case, that'd be closer to acquisitions editor, right? Or it would be a pretty serious conflict of interest.

Closer to an acquisitions editor than the traditional agent, yes, but that term isn't quite right for the role either.

Also, none of the three people listed are artists, editors, formatters, etc. There is no mention of what any of them are actually doing at the company. How is Renee the agent and publisher? What on earth do the assistants do? What experience do any of them have because it looks an awful lot like the answer is none. One of them has some editing experience, but I don't know the quality of the presses other than one was coop. The other doesn't give any information about itself online that I could see, so it's hard to know.

:hi: Diploma in editing, here, and a couple of years experience in the industy, with MANY years reading about and investigating the industry before that.

Yes, Evolved is a co-op, my work for them was actually done via an author directly. Clan Destine is an Aussie small press and, while not hugely prolific, have made a good name for themselves in the Australian industry. http://www.clandestinepress.com.au/ourbooks
 

eqb

I write novels
Super Member
Registered
Joined
Feb 12, 2005
Messages
4,716
Reaction score
2,194
Location
In the resistance
Website
www.claireodell.com
Agent" is probably a bit of a confusing title, but it seemed the best option on start up. They are not "Agents" in the usual publishing sense of the word, but rather see a work through, from beginning to end. The person who reads the submissions and decides if the house takes a particular work on is the same person who edits/organises the editing, covers, proofreading, etc.

The term "agent" has a specific meaning in publishing. What you describe sounds like what my editor at Tor does for me--she edits, she works with the art director and marketing, she oversees the copyedit process, and in general acts as point of contact for me and my literary agent.

There is only so much distribution we can work out when our first title is not available yet.

Not true. The time to work out distribution is before you launch.

But to make sure we're talking about the same thing--how do you define distribution?
IF Lionsong fell, the author would retain all rights to their work.

That depends on the bankruptcy laws in Australia. In some countries, the contacts are considered part of the company's assets, so no matter what the contract itself says, the law overrides that.

And to repeat my question from before:

How does Lionsong define "net" for their royalties?
 

Figgy

New Fish; Learning About Thick Skin
Registered
Joined
Oct 23, 2007
Messages
36
Reaction score
14
Location
Melbourne, Australia
Do you pay royalties on cover price or net? If on net, what is your definition of net?

Before I tell myself that it's after my bed time, and ground myself for the next three weeks...

The 50% to the authors is off the net price, and the net is the profit made on the book, after production and shipping costs.
 

Marian Perera

starting over
Super Member
Registered
Joined
Dec 29, 2006
Messages
14,854
Reaction score
6,337
Location
Heaven is a place on earth called Toronto.
Website
www.marianperera.com
I am the person who commented, as Queen of Swords mentioned, that "See, start-up publishers CAN do it right. So glad you're bringing a little good back to the publishing world."

The reason for my comment was not that the publishing world was bad
I hope you can see how one might draw that inference from your comment. Unless the publishing world is lacking in good (i.e. bad), why specifically state that Lionsong Publishing is bringing a little good back to it?

That comment also implies, to me, that Lionsong's practice of not charging authors is something out of the ordinary.
but rather because I had just spent weeks battling with "Wool Press Publishing", a company run by a couple of guys who don't have even a semi-decent grasp of English (often ended sentences in ",,," among many, many other things), and seemed to be targeting teens.
These guys, it seemed, were taking money to publish books, and ALSO taking a cut of the royalties, while not being able to offer any kind of industry experience.
In other words, and as I said before, they were a vanity press - hardly part of the actual publishing industry. I'm sure Lionsong is doing something different from a vanity press that charges upfront, but this has nothing to do with the reputable "publishing world". If a press claims to be a commercial publisher, rather than a vanity press, it should be compared to other commercial publishers, not to a vanity press. And if its practice of not charging writers up front is standard among commercial publishers, this should be made clear to writers who might be confused or misled about paying fees. That's all part of learning about the industry.

And please excuse typos and such tonight; I have had a long day at work, on not much sleep, but I really do think I need to respond now to try and diffuse this situation as much as possible.
That's fine, but please don't feel under pressure to respond right away, if you need to go through the thread or consult with anyone else. If Renee's original response had been, "There are a lot of questions here. I'm going to take a couple of days to think about them and then provide the best response possible", we would have been cool with that.
 

Figgy

New Fish; Learning About Thick Skin
Registered
Joined
Oct 23, 2007
Messages
36
Reaction score
14
Location
Melbourne, Australia
The term "agent" has a specific meaning in publishing. What you describe sounds like what my editor at Tor does for me--she edits, she works with the art director and marketing, she oversees the copyedit process, and in general acts as point of contact for me and my literary agent.

I think the big issue with the title is that, as a freelance editor, I get a lot of clients who come seeking a structural edit, but then just assume that I am responsible for formatting, cover, purchasing of ISBN, and so on. The title was, I believe, originally intended to stop this issue, but has ended up creating further issues.


Not true. The time to work out distribution is before you launch.

But to make sure we're talking about the same thing--how do you define distribution?

I get that the time to handle it is before we launch the book, but discussing it while the book is still in the editing stages, and there is so much left to do on it, would be silly. We don't even know the exact printing costs for that book until we have finished the editing process, or at least NEARED the end. When we have made a few more steps in the process, and are CLOSER to printing, we will be able to work out more concrete information.

When I say distribution, I mean companies like United Book Distributors, Alliance Distribution Services, Five Mile Press, Scholastic, Random House, Harper Collins, etc. I mean the companies that enable people, like me, who work in bookstores, to jump on their computer and order a copy for a customer, or a copy for the store.


That depends on the bankruptcy laws in Australia. In some countries, the contacts are considered part of the company's assets, so no matter what the contract itself says, the law overrides that.

The reason we're running the company as is (with "Agents" and "Assistants" only being paid on a royalty basis too, for now), is to minimise the chance of bankruptcy. At least until we have a bit of turn over, we are minimising outlay as much as possible, so that we don't end up borrowing against the business.

And to repeat my question from before:

How does Lionsong define "net" for their royalties?

Covered in the previous comment. :)