They are paying attention. I found with my first book though that paying attention doesn't bring the bacon home. haha
I'm very pleased to announce that my wonderful and brilliant colleague Sarah LaPolla is now officially taking on clients! Check out her bio on the Curtis Brown website, and her genres of interest include literary fiction, narrative nonfiction, urban fantasy, paranormal romance, science fiction, literary horror, and young adult fiction.
Authors, if you emailed me a query before 11:59 pm on April 9th and have not heard from me, I'm sorry to say I am passing.
Don't give up - just think of it this way - if you send out 100 queries, and get one request for material, you're doing great. Listen closely to the rejections, because at times you can learn a lot from the agents that give them. I must have queried hundreds, and out of that, if I get 5 or 10 interested parties, that's a jackpot. One of those will eventually be your agent.
This is wrong. There may be a hundred decent agents you could query for a given book, but getting just one request for material isn't going to do it. On average, you may need ten or twenty requests before one agent says yes.
That sounds like a logical fallacy to me. All you need is one request to lead to an offer of representation. You can get ten or twenty requests for material and have none of them lead to offers, or you can have just one person ask to see your stuff and have it lead to an offer.
Projects that generate more interest initially might, statistically, be more likely to snag representation--but that doesn't mean that there aren't authors out there who had few initial bites but have still managed to do very well for themselves.
Agreeing with Julie. They say that in general you should be getting requests at least 10% of the time. If you're not, it probably means there's a problem with the query. The really sucky thing would be if your query isn't very good, but the book is great, and you're being shot down because of the query. It might be that there are agents who would actually enjoy the work, but who are turned off by the initial letter and will never give it a chance. If you're getting so few requests, it's usually a good indication that there's something wrong with either the story or the query. The first isn't easy to fix, but the second is.
The point is, the more requests you get, the better your chances are period, and you should do everything in your power to aim for as many requests as you can get.
On average, you may need ten or twenty requests before one agent says yes.

This is where the logical fallacy is. Even if authors overall average ten or twenty requests before they get an offer for representation, there will be outliers in those numbers contributing to the average--and the success rate for other authors isn't necessarily going to be reflected in the success rate you have. Unfortunately, when it comes down to it, some authors are just terrible at writing queries, even if it doesn't reflect their writing.
More on point--I currently have a partial out with Ginger Clark (yay! I love her . . . ). Any ballpark estimates on how long it usually takes her with partials?

Ah, never mind. Just got a form r from her. She had it for 11 days, if anyone is wondering about her response time. Pretty fast! Soldiering on . . .![]()
Sorry Phoebe!![]()
Woohoo! I just got a full request from Sarah LaPolla! I queried her on April 20 and just got the request today.