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#26 |
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practical experience, FTW
Join Date: Jun 2011
Location: Manchester UK
Posts: 2,515
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The Duotrope responses are manual. By which I mean the Duotrope account holder updates them when they get sent an email with a response. The editors of the publisher do not have access to that system (well, they might, but only if they are also using Duotrope to track things that they have submitted to other markets in which case they update their own stuff when it gets a response just like you do). The only thing the notifications on duotrope do is update the stats both on your personal submissions and on the market's entry (where it averages with all the other responses that have been tracked).
Some markets have a submisson system which tracks which part of the process your work is in and that is updated by the editor when they make a decision but Duotrope does not have a system like this (unless they have made a very recent and very major upgrade I am not aware of...). I agree with the others above. Submit and forget. There is nothing you can do about a story once it is submitted so no point or purpose in fretting about it. Just keep an eye on the average submission time for that market on duotrope (or the time listed in the guidelines) and work out what date this means you should have had a response by and mark it on your calendar. Then wait a while after that (cos many markets are sometimes slower than they claim) before chasing them with a polite email to enquire about the status of the submission.
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![]() Transitions http://www.amazon.co.uk/Transitions-...tt_at_ep_dpt_2 'Gods of the Sea' Part of the Pirates and Swashbucklers anthology: http://pulpempire.com/mag/ My blog: http://lurkingmusings.wordpress.com/ I helped write this: http://www.realmfw.com/ |
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#27 | |
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Bowties are cool
Join Date: Apr 2005
Location: In a world of my own making
Posts: 21,927
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It's probably the only self-destructive negative trait I don't have.
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Twitter | G+ | WordPress | Tumblr “I love words but I don’t like strange ones. You don’t understand them and they don’t understand you. Old words is like old friends, you know ‘em the minute you see ‘em.” -- Will Rogers Sadly true: "Creating drama, arguments and conflict can wake up the ADHD brain, making us alert and alive… and eventually alone." -- TotallyADD via Twitter |
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#28 | |
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Blissfully Clueless
Join Date: Jun 2011
Location: Lexington, KY
Posts: 1,129
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#29 |
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Caped Codder
Join Date: Sep 2010
Location: In MA, USA, across from a 17th century cemetery
Posts: 3,945
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Write, write and then write some more. Write so much you don't have time to think about stuff like this.
Works for me. |
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#30 |
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Not a new kid
Join Date: Sep 2009
Location: Kansas
Posts: 1,437
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I agree with the above advice, that we should submit and not worry. However. I can't help being curious when something is out for over six months. I have two stories that have been out since March. Is this generally a good sign?
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Joni's Freewheelin' Blog of Despair Woman in Love—Jane and Keith Day are mother and son in a coming-of-age story set to the Bicentennial. The Secret life of Dr. Johnny Fever—The rambling adventures of nomadic disc jockey Dr. Johnny Fever. Ismay—Despite exoneration from the Titanic’s sinking, J. Bruce Ismay is a man plagued with regret and shame. |
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#31 | |
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A Little Lost
Join Date: Sep 2010
Posts: 990
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Six months down means you've still got months to go at some markets. At others, it means you should have queried five months ago. |
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#32 |
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Not a new kid
Join Date: Sep 2009
Location: Kansas
Posts: 1,437
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Thank you, MJNL. I use Duotrope—it's great. These markets I speak of are known for having slow response times, so it's true, I just need to be more patient.
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Joni's Freewheelin' Blog of Despair Woman in Love—Jane and Keith Day are mother and son in a coming-of-age story set to the Bicentennial. The Secret life of Dr. Johnny Fever—The rambling adventures of nomadic disc jockey Dr. Johnny Fever. Ismay—Despite exoneration from the Titanic’s sinking, J. Bruce Ismay is a man plagued with regret and shame. |
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#33 |
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Full-Time Vampire Junkie
Join Date: Sep 2009
Posts: 3,216
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It's not really that long--it just seems longer than it might because so many short fiction markets don't allow simultaneous submissions. At least that's how it feels to me, as compared to waiting for agencies and publishing houses.
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WIP: Dream Warriors (YA horror), revising, 50k Shorts: The Yellow Season (R's--4); The Raggedy Girl (R's--3) Blog: http://glitter-n-gore.livejournal.com/ |
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#34 |
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Not a new kid
Join Date: Sep 2009
Location: Kansas
Posts: 1,437
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Rhoda Nightingale—I have to agree with you!
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Joni's Freewheelin' Blog of Despair Woman in Love—Jane and Keith Day are mother and son in a coming-of-age story set to the Bicentennial. The Secret life of Dr. Johnny Fever—The rambling adventures of nomadic disc jockey Dr. Johnny Fever. Ismay—Despite exoneration from the Titanic’s sinking, J. Bruce Ismay is a man plagued with regret and shame. |
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#35 |
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oldie turned newbie
Join Date: Jul 2011
Location: UK
Posts: 255
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I loved duotrope when I first discovered it, but I'm beginning to see how it can be a curse as well as a blessing. In the old days you sent a story and pretty much had to forget about it because it went into a sort of black hole of which you knew nothing. With duotrope you can see, based on the responses reported by other writers, whether or not your submission is in the "rejection zone" (or "response zone", however you want to think of it!), and I think that's possibly a bad thing. It's easier to become obsessive. I've found myself on pins and needles when I see I'm in the zone, which is a waste of energy. I'm weaning myself off the constant checking and comparing, but I do understand its allure. In fact, at the moment I'm in the zone at three publications (so much for weaning!). I know I'd be better off not knowing.
I agree with the others: 'submit, forget, write more stories' is the best approach. Obsession, thy name is Duotrope! |
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#36 |
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Whatever I did, I didn't do it.
Join Date: Feb 2008
Location: Providence, RI
Posts: 8,255
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Well, let's see my current sub list.
Story 1: Out for 14 months so far. Story 2: Out for 15 months so far. Story 3: Out for 17 months so far. (And it's a short-short!) Story 4: Out for 13 months so far. Story 5: Out for 16 months so far. Been so busy working on novels I forgot to notice. Plus I tell myself that they're out so long because they've moved up from slush readers to top editors and will all end up published at once. ![]() Nah. I thinks it's time to resub those babies.
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SUMM0NED (Coming from T0R, 2014) Real magic becomes real trouble when Sean summons the wrong familiar -- the big, toothy one with a taste for the neighbors. ![]() ![]() And so it goes... |
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#37 | |
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practical experience, FTW
Join Date: Apr 2008
Posts: 1,175
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#38 |
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Full-Time Vampire Junkie
Join Date: Sep 2009
Posts: 3,216
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I'm curious about this too. None of the subs I've sent out have taken longer than two months to get back to me.
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WIP: Dream Warriors (YA horror), revising, 50k Shorts: The Yellow Season (R's--4); The Raggedy Girl (R's--3) Blog: http://glitter-n-gore.livejournal.com/ |
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#39 |
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Hmmmmm
Join Date: Nov 2010
Posts: 258
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I've submitted to places that take well over a year to get back to me (like Fiction, for one). And yeah, that was because the story made it to the editorial board and such.
Literary seems to take longer. The fact that many are housed in academic institutions might be part of it, especially if you submit during a changover period. |
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#40 | |
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Whatever I did, I didn't do it.
Join Date: Feb 2008
Location: Providence, RI
Posts: 8,255
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This last batch I sent between 6/2011 and 11/2011 ARE taking much longer than I'm used to. Why? Again, I'm hoping because they're passing up the editorial ladder. ![]() A story of mine that was out to a major SFF mag for over two years actually WAS sitting on the chief editor's desk, having been passed on by the preliminary readers. It just missed the sale, alas. Anyhow. I was inspired today to query the slow responders and to send out four stories that had been awaiting resubmission. My short story house is again in order!
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SUMM0NED (Coming from T0R, 2014) Real magic becomes real trouble when Sean summons the wrong familiar -- the big, toothy one with a taste for the neighbors. ![]() ![]() And so it goes... |
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