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Another writing board I visit has a discussion going about how easy it is to see "twists" (which don't deserve the name) on TV shows. The moment you go, "Hey, that guy!" when you don't recognize the other actors brought in for the episode, the moment the camera lingers on the pen knife or the locked cabinet, the moment the leads dismiss a suspect too quickly, you might as well go read a book, because you know how it's going to end.
In movies it's not quite that bad, but it's still rare for a twist to be terrific without being either telegraphed or deus ex machina.
One man there, among the very few who make a living as screenwriters, says that for TV it's not about the mystery. It's about the main character being in amusing or interesting situations. Make Matlock coach a girls' soccer team while he solves the case! Make Bones masquerade as a Guido! Fill Tutuola with angst which turns to acceptance that his kid's gay!
Maryn, reminded why TV sucks
In movies it's not quite that bad, but it's still rare for a twist to be terrific without being either telegraphed or deus ex machina.
One man there, among the very few who make a living as screenwriters, says that for TV it's not about the mystery. It's about the main character being in amusing or interesting situations. Make Matlock coach a girls' soccer team while he solves the case! Make Bones masquerade as a Guido! Fill Tutuola with angst which turns to acceptance that his kid's gay!
Maryn, reminded why TV sucks