- Joined
- Jun 13, 2010
- Messages
- 2,134
- Reaction score
- 211
I'm curious (and if there is a previous thread that discusses this topic please point me to it; I "searched" but only got topics that touched on the subject).
When did disembodied body parts become an absolute no-no? The book I am currently reading (pub 1962, the Viking Press) has two examples on one page:
I suspect this new eschewing of nonstandard subjects and sentence structure arises out of the modern obsession with ACTIVE voice (vs. passive) but do worry about the outcome (especially re variations in rhythm and voice).
I think my problem is that I read mostly older works and most of the current stuff I read tends to be something of a novelty (Jonathan Strange and Mr. Norrell, e.g.).
Any thoughts?
When did disembodied body parts become an absolute no-no? The book I am currently reading (pub 1962, the Viking Press) has two examples on one page:
His head turned.
Lucy's lips formed a "No," but there was almost no sound where I sat.
I suspect this new eschewing of nonstandard subjects and sentence structure arises out of the modern obsession with ACTIVE voice (vs. passive) but do worry about the outcome (especially re variations in rhythm and voice).
I think my problem is that I read mostly older works and most of the current stuff I read tends to be something of a novelty (Jonathan Strange and Mr. Norrell, e.g.).
Any thoughts?
Last edited: