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- May 31, 2011
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Been wanting to get some fun MG sci-fi novels. Any suggestions? All I've read before is Ender's Game.
Been wanting to get some fun MG sci-fi novels. Any suggestions? All I've read before is Ender's Game.
I really enjoyed The Search for WondLa series by Tony DiTerlizzi. Great story and illustrations. And a completed trilogy so no waiting for next books!
I also found Kenneth Oppel's Airborn series fun, but it's a little more steampunk at first than scifi.
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If you find any other good ones, please share here as I'm always on the lookout for good MG fantasy and scifi too.
So I love reading MG and YA books. I always have. But since finding this site, reading crits and even having just 3 lines of my own book evaluated, I notice things now that I never did before. I am currently reading a MG book and in it, I have found tons of "no-no's". This book is by a seasoned MG author who is very successful, Angie Sage. However, I notice a lot of filtering in her book as well as shifting in the POV. I believe she uses ON, but also delves into multiple characters heads at the same time. SO I was wondering if in different genres, it is easier/more accepted to use those things. Also I have found TONS of cliches in her book. It is interesting because she is successful and has a 7 book series prior to this book. Just curious. I love her books and I am not complaining, but I never noticed these things before now. It's like a veil has been lifted from my eyes and I see it from both a reader and a writer's standpoint.
Are you reading the Septimus Heap series? I couldn't finish them. Then again, it's hard for me lately to get engrossed by a book. The last time that happened was... damn, I honestly can't remember. It's been so long.
Writing can really get in the way of enjoying books. You get hyper critical. Just last week I read Young Houdini - Magician's Fire by Simon Nicholson (bc I love magicians). While it kept me reading, and he's an exquisite writer, I kept picking at it.... What's Harry's motivation? I don't know enough about the person he's trying to save so why should I care that Harry's saving him? His friends aren't strong enough characters to add anything to the story. What are the stakes?... Stuff like that.
Writers are beaten over the head by agents and publishers (and even other writers) about the importance of motivation, emotion, stakes, avoiding cliches, etc. In the end it's marvelous because it makes your book stand out, but sometimes I feel like it's made us (okay, maybe just me??) a bit jaded about books. I find myself getting aggravated at best, putting the book down at worst.
I think I'm going to go back to reading outside my market. Maybe some adult, or go back to reading scifi and fantasy. Anybody have advice on getting over this sort of thing?
Finished Dr. Critchelore's Minion School by one of the writers here (I forget the username unfortunately, my apologies!). It was pretty fun. I am interested in the sequel when it gets released.