I know the answer. It's a bad idea to cross genre lines in the same series, isn't it?
I'm hoping I'm wrong. The books are calling to be written differently, but they're all the same series. But they are also each stand alone.
To put that better into context, my near-finished WIP is Book 3, a Psych Thriller about a young vigilante held in an underground base by a vindictive black ops group. I started out of order, because The Dark was just begging to be written sooner than the others.
There are four vigilante sisters -- identical quads. They meet over time, as news of the others' exploits hits the media and one by one, they discover they have sisters and they gather in New York City, like a young whirlwind of dark justice.
Book 4, the sequel to The Dark, is just begging to be an erotica. I could curtail that deeply delightful plotline and reshape it back into a Thriller. Same FMC as The Dark.
But Book 2 has young adult written all over it. It's the story of the third sister discovering she's got twins, going to New York -- the whole "sisterhood" and "superpower (not literally)" thing going on. With some fancy mental footwork, I can rearrange that plotline, or scrap it all together until I've got another thriller on my hands, or at the very least a general adult fiction novel. The MC is 16, and due to timeline issues for the overall series, I can't shift her age.
Book 1... well, I could use some advice on what exactly Book 1 is to begin with. I'm calling it "Intertwined" for now. You ever read a memoir, like Aron Ralston's 127 Hours: Between a Rock and a Hard Place, that switches between the present moment (trapped in a canyon with his hand crushed under a boulder) and the past (his life before, how he decided to go for a hike in a remote canyon without telling anyone where he was going...)?
I was thinking of doing something a little unusual, and intertwining a memoir with snippets of fiction. I was held in captivity for four years as a teenager, and I'm ready to write about it. The vigilante sisters of the above series were my escape during that time -- I disappeared into crafting their stories when there was no other place to run. For me, they were an integral part of how I survived, and they belong with my story.
That's the sentimental side of me talking. The "my god, I'm actually going to write about this, and soon" part of me.
Then there's the practical part of me. The writer. The "I want an agent and I want to be published" part of me. That part's asking if that's a good idea, or bad. Actually, no. I'm not asking that. I know I can do it, and do it well. I can intertwine the stories. I'm really more asking if one of the other books were to publish first, would it be weird for my fiction-invested audience to look to a memoir for the start of that series? The fiction element of Book 1 is the story of the first girl, waking up alone in New York City with a broken arm, no memory, and a crystal quantum computer around her neck (and yes, I know now that's a total trope for starting a story -- but I was 12). It's the story of the next sister, discovering she has a twin. Choosing between her first forever-home and her identical twin.
Conversely, I expect my own experience in captivity will come up in correlation with The Dark, and readers will be curious and want to read the memoir for its own sake.
So I've got myself a memoir with intertwined fiction, a young adult novel, a near finished psych thriller, an erotica (sidenote: they're 18 now), and book 5 is shaping up as a general thriller or mystery, with book 6 edging into SciFi.
*headsmack*
Can I do that? Should I do that?
I can modify and reshape the stories in my head before they're on paper -- make them all adult thrillers. But if I can make them each stand alone, can they live happily in separate genres?
Advice is most welcome. I'm at a good place to ask, for only one is written.
And on writing styles and my confidence therein... I do thriller well. I do erotica well. I'll do memoir well. I'm not as confident on YA, for I tend to play well with intense themes; dark themes. But deep down, I'm bound to have some fluffy YA sisterhood writing in me.
Chortle.
Thanks guys. This overly-explained and yet still vague question has been bugging me, and it's starting to really matter as I decide which book to write next, and how to write it.
I appreciate your help and your advice.
~ Anna
I'm hoping I'm wrong. The books are calling to be written differently, but they're all the same series. But they are also each stand alone.
To put that better into context, my near-finished WIP is Book 3, a Psych Thriller about a young vigilante held in an underground base by a vindictive black ops group. I started out of order, because The Dark was just begging to be written sooner than the others.
There are four vigilante sisters -- identical quads. They meet over time, as news of the others' exploits hits the media and one by one, they discover they have sisters and they gather in New York City, like a young whirlwind of dark justice.
Book 4, the sequel to The Dark, is just begging to be an erotica. I could curtail that deeply delightful plotline and reshape it back into a Thriller. Same FMC as The Dark.
But Book 2 has young adult written all over it. It's the story of the third sister discovering she's got twins, going to New York -- the whole "sisterhood" and "superpower (not literally)" thing going on. With some fancy mental footwork, I can rearrange that plotline, or scrap it all together until I've got another thriller on my hands, or at the very least a general adult fiction novel. The MC is 16, and due to timeline issues for the overall series, I can't shift her age.
Book 1... well, I could use some advice on what exactly Book 1 is to begin with. I'm calling it "Intertwined" for now. You ever read a memoir, like Aron Ralston's 127 Hours: Between a Rock and a Hard Place, that switches between the present moment (trapped in a canyon with his hand crushed under a boulder) and the past (his life before, how he decided to go for a hike in a remote canyon without telling anyone where he was going...)?
I was thinking of doing something a little unusual, and intertwining a memoir with snippets of fiction. I was held in captivity for four years as a teenager, and I'm ready to write about it. The vigilante sisters of the above series were my escape during that time -- I disappeared into crafting their stories when there was no other place to run. For me, they were an integral part of how I survived, and they belong with my story.
That's the sentimental side of me talking. The "my god, I'm actually going to write about this, and soon" part of me.
Then there's the practical part of me. The writer. The "I want an agent and I want to be published" part of me. That part's asking if that's a good idea, or bad. Actually, no. I'm not asking that. I know I can do it, and do it well. I can intertwine the stories. I'm really more asking if one of the other books were to publish first, would it be weird for my fiction-invested audience to look to a memoir for the start of that series? The fiction element of Book 1 is the story of the first girl, waking up alone in New York City with a broken arm, no memory, and a crystal quantum computer around her neck (and yes, I know now that's a total trope for starting a story -- but I was 12). It's the story of the next sister, discovering she has a twin. Choosing between her first forever-home and her identical twin.
Conversely, I expect my own experience in captivity will come up in correlation with The Dark, and readers will be curious and want to read the memoir for its own sake.
So I've got myself a memoir with intertwined fiction, a young adult novel, a near finished psych thriller, an erotica (sidenote: they're 18 now), and book 5 is shaping up as a general thriller or mystery, with book 6 edging into SciFi.
*headsmack*
Can I do that? Should I do that?
I can modify and reshape the stories in my head before they're on paper -- make them all adult thrillers. But if I can make them each stand alone, can they live happily in separate genres?
Advice is most welcome. I'm at a good place to ask, for only one is written.
And on writing styles and my confidence therein... I do thriller well. I do erotica well. I'll do memoir well. I'm not as confident on YA, for I tend to play well with intense themes; dark themes. But deep down, I'm bound to have some fluffy YA sisterhood writing in me.
Chortle.
Thanks guys. This overly-explained and yet still vague question has been bugging me, and it's starting to really matter as I decide which book to write next, and how to write it.
I appreciate your help and your advice.
~ Anna