I assume most mystery novels begin with a murder. Mine, however, tend to start by asking whether a murder has in fact been committed. Is that a reasonable approach?
I assume most mystery novels begin with a murder. Mine, however, tend to start by asking whether a murder has in fact been committed. Is that a reasonable approach?
[Maybe that's what I should do, reread The Poet, then dive into The Narrows.]
[Maybe that's what I should do, reread The Poet, then dive into The Narrows.]
I've seen this approach in mystery and thrillers. The "sin" is not getting a dead body (or other serious crime) early enough.
Maryn, making herself sign off before heading for the bookcase downstairs
It isn't what you do, it's how well you do it.