I received an offer of rep recently from an agent and had the pleasure of speaking with her over the phone recently. Really clicked with her personally, and I loved how deeply she read my manuscript and how enthusiastic she is about it.
It's really important that you and your agent share the same vision for your book, so this is very promising. Although most writers are enamoured of any agent who offers them representation, so do make sure this is a real personality match, and not just enthusiasm speaking!
But I'm just a little nervous that she isn't asking for many revisions. Maybe this is crazy, but a couple of the other agents who've read my full loved it but said it needed more work before they'd take it on (without being specific!), so I'm a bit paranoid.
Have the agents who have suggested revisions told you what those revisions would be? If so, what do you think about their suggestions? If you think they will make the book substantially stronger then they are worth considering: if you're not keen on their ideas, then they're probably not the agents for you.
The reality is that some agents edit and some don't. An increasing number of agents help their author-clients improve their works before they go out on submission, and most of them give really useful advice here: they're on the front line, they know what sells and what doesn't, and they can help you move your book from not-quite-publishable to everyone-wants-it.
Any advice on this? How perfect does a manuscript need to be before it goes out to editors/publishers?
The more perfect it is, the better. Editors are increasingly strapped for time, and the less work they have to do on a book the more they're going to like it! But it has to be good to start off with: they won't take a perfectly-edited book which is weak.
I think you have to decide what you think about the agents who have suggested changes. Do you agree with them that the problems they've pointed out actually exist? Do you agree with their suggestions for correcting those problems? If so, they might be good agents for you. If not, and you're happy with working with an agent who doesn't help her authors revise prior to submission, then you're good to go.
You're very welcome. Don't forget to let us know how you get on.
I hope none of them do. Editing is not an agent's job, and they aren't trained to do it.
James, this is nonsense.
It might have been true thirty years ago but it's certainly not true now. More and more editors are moving over to agenting, and more and more editors are struggling to find time to edit the books they are responsible for. Editing is therefore sliding over towards the agent, which isn't necessarily good but it's how it works now, I'm afraid.
The input of a good agent can make a huge difference to a book's success. Let's not hamper anyone's chances by advising them against accepting the help they're offered.