Lady Churchill's Tea Salon

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Shweta

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You are in a large room, with cracks running along the floor in all directions. The ceiling, far above, is murky and covered with pipes; there may be gears grinding up there, but what they do is a mystery.

In the center of the room, a Bruges lace tablecloth is laid, pristine white, over two uneven plywood crates. A few overstuffed old sofas lined with green velveteen are clustered around this table, and bouncy multicolored exercise ball chairs roll around without apparent aim.

On the tablecloth is an blue porcelain chocolate pot, a sleek glass teapot with rosebuds steeping in the water, and a rather confused squid. The squid is to be taken with milk. There is also a plate of triangular sandwiches with the crusts neatly trimmed off one side of each. Next to the plate is a small pile of books: In the Forest of Forgetting, Castle Waiting, and City of Saints and Madmen. This last one has mushrooms growing on it. Eating them is not recommended; they tend to avenge their own.

To the North is an old, scratched-up, blackened oaken door. The bar has a keypad on it, and may be electrified. To the East is the sort of door that irises open. There are strange symbols etched into it. Near it huddles a small community of scones, with many a fearful sideways glance at the Bruges lace. To the South-South-west is a rabbit hole.

The door you came in through seems no longer to be there. When you have need for it, you must look for it in a direction no compass can point to.

>>



*ahem*

Come in, come in, be welcome; tell tales and ask questions, and try not to fall through the interstices :)

A little direction:
We're talking about what makes us interstitial-or-other-oddity folks here, and we're chatting some here, though I'd like to keep that one more focused on questions wot we need to answer, and have the salon for the more open-ended ones.
 
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Esopha

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"Churchill" is the name of my high school.

I dunno if I can hang out here without having to strangle an unfortunate urge to fill in scantron bubbles. :(

*examines the squid and decides it would be cuter wearing a paper hat*
 
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Yay! I got linked to... :Hug2:


What are two things that each of you think are major factors in creating an inerstitial text? Not all, just two, and how do they affect you directly? I'm not attempting to define "interstitial". There are so many ways we get to the interstices, and so many reasons to do so. Let's each add some ingredients to the interstitial fluid and see what we get.

For me, I find wide reading a major factor. The more you read, the more you realize you can take left turns and mix it up on the page. And that other readers can read in between the lines as well as an author can write there.

Another factor is indulging in a wide range of mediums. I write poetry and occasionalyl songs and novels and I conworld. All of these are very different genres of story-telling. I read those things, and I watch a lot of tv, specifically anime. I draw, I sing (badly) and I even wander around the olf guitar neck every once and awhile (even more badly). All of these things I think contribute to my flexibility in writing.

So what has brought you here, and why did you choose to stay?



I hate sea-food, so the squid is safe from me. Unless I decide to indulge in a bit of alchemy requiring live ingredients... *Eyes mushrooms* Those might be good for something, too. Maybe a lucid dreaming aid.;)
 
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Izz

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Iz wanders in, finds a crack to hide in, uses all his willpower to avoid eating one of the mushrooms.
 

Shweta

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"Churchill" is the name of my high school.

I dunno if I can hang out here without having to strangle an unfortunate urge to fill in scantron bubbles. :(

The salon name is a reference to Lady Churchill's Rosebud Wristlet
Should we:

A) Rename the Salon
B) Wait for you to read lcrw and have your associations changed
C) Rename your high school
D) None of the above

Please be sure to use a #2 pencil when you answer.


I like mushrooms. Squid for that matter too.
But do they like you?
 

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Frak! Multiple choice quizzes? I thought there were going to be scones and stuff, or something.

*backs out slowly*
 

Shweta

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Cranky: I added scones :)

For me, I find wide reading a major factor. The more you read, the more you realize you can take left turns and mix it up on the page. And that other readers can read in between the lines as well as an author can write there.

Another factor is indulging in a wide range of mediums. I write poetry and occasionalyl songs and novels and I conworld. All of these are very different genres of story-telling. I read those things, and I watch a lot of tv, specifically anime. I draw, I sing (badly) and I even wander around the olf guitar neck every once and awhile (even more badly). All of these things I think contribute to my flexibility in writing.

Query: Which is cause and which effect? Are wide readers more likely to genre-bend, or are genre-benders more likely to read widely? Or do they engage in some diabolical positive-reinforcement loop?
 
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Haggis

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Good point.:D

And I am very interested to learn more about this stuff. Weird is good in my book.
 

Cranky

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Cranky: I added scones :)



Query: Which is cause and which effect? Are wide readers more likely to genre-bend, or are genre-benders more likely to read widely? Or do they engage in some diabolical positive-reinforcement loop?

I hope they're tasty scones. :D

That's a good question, btw. I've wondered that myself from time to time. All I know is that I like to read widely, and I think writing in general benefits when it borrows liberally from a lot of different genres. I think it helps with the freshness factor.

Kind of like adding new material to the gene pool. :D
 
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Cranky: I added scones :)



Query: Which is cause and which effect? Are wide readers more likely to genre-bend, or are genre-benders more likely to read widely? Or do they engage in some diabolical positive-reinforcement loop?


"genre-bend" sounds suspiciously like "gender-bend"...


Anyway, I think that it depends on which you do first. I read very widely first, then discovered that I enjoyed writing. I'm not sure how it could happen the other way, though. It's kind of a paradox. It might work perfectly fine the other day, but how do you get into that situation? It reminds me of the common adive "read, read, read". Don't most people read before they write? I do think it can be a reinforcement loop as well. When I begin one of my more wacky projects, I go blundering around looking for recommendations in that area, and so my reading net expands.
 

Esopha

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The salon name is a reference to Lady Churchill's Rosebud Wristlet
Should we:

A) Rename the Salon
B) Wait for you to read lcrw and have your associations changed
C) Rename your high school
D) None of the above

Please be sure to use a #2 pencil when you answer.

C, definitely. Can we name it "Abyss of No Return - Now With 80% More Standardized Testing"?

Although I could probably indulge in some required reading. *snoops through lcrw*
 

Gray Rose

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To the North is an old, scratched-up, blackened oaken door. The bar has a keypad on it, and may be elctrified. To the East is the sort of door that irises open. There are strange symbols etched into it. To the South-South-west is a rabbit hole.

>> approach door

I'm sorry, what is it that you want?

>> approach dark oak door

I'm sorry, I can't parse this!

>>ssw

To the South-South-west is a rabbit hole.
A woman with a firebird on her head approaches the rabbit hole and taps it with her foot. The hole appears temporarily blocked with semicircles of horn and ivory. The woman shrugs, and shuffles back to the couch. The mushrooms eye her with concern.
 

Esopha

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What are two things that each of you think are major factors in creating an inerstitial text? Not all, just two, and how do they affect you directly? I'm not attempting to define "interstitial". There are so many ways we get to the interstices, and so many reasons to do so. Let's each add some ingredients to the interstitial fluid and see what we get.

For me, I find wide reading a major factor. The more you read, the more you realize you can take left turns and mix it up on the page. And that other readers can read in between the lines as well as an author can write there.

Another factor is indulging in a wide range of mediums. I write poetry and occasionalyl songs and novels and I conworld. All of these are very different genres of story-telling. I read those things, and I watch a lot of tv, specifically anime. I draw, I sing (badly) and I even wander around the olf guitar neck every once and awhile (even more badly). All of these things I think contribute to my flexibility in writing.

So what has brought you here, and why did you choose to stay?

I think interstitial fiction began, for me, with a growing understanding of language. When I became conversationally fluent in French, and I was able to read novels in French for the first time, I realized that the way you would say something in French is vastly different from how you would say it in English. For example, there is no marked difference between "I walk" and "I am walking" in French -- both are contained in the phrase "Je marche." I realized that all the colloquialisms were different, and it got me thinking about the way language is put together and how culture effects language and in turn literature. So when I write, I incorporate a lot of different cultures and themes from corresponding literature.

Also, I've always been a fan of word art. I'm a big fan of the book Drawings on Writing and my mom (a neuroscientist) always says that you need to stimulate more than just verbal synapses in the brain. So I like to incorporate visual cues in my novels as well. In one novel, I have a bunch of different types of dialogue, all set off by hyphens, or italics, or plain quotation marks. Each was chosen because of the "feel" it lent the characters.

I think this answers your question? I know that everyone is expected to read widely and enjoy mixing genres, so I wanted to throw in two influences that I thought might be more unique.

eta: Also, if no one is going to eat the squid, can I keep it?
 
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I think interstitial fiction began, for me, with a growing understanding of language. When I became conversationally fluent in French, and I was able to read novels in French for the first time, I realized that the way you would say something in French is vastly different from how you would say it in English. For example, there is no marked difference between "I walk" and "I am walking" in French -- both are contained in the phrase "Je marche." I realized that all the colloquialisms were different, and it got me thinking about the way language is put together and how culture effects language and in turn literature. So when I write, I incorporate a lot of different cultures and themes from corresponding literature.

Also, I've always been a fan of word art. I'm a big fan of the book Drawings on Writing and my mom (a neuroscientist) always says that you need to stimulate more than just verbal synapses in the brain. So I like to incorporate visual cues in my novels as well. In one novel, I have a bunch of different types of dialogue, all set off by hyphens, or italics, or plain quotation marks. Each was chosen because of the "feel" it lent the characters.

I think this answers your question? I know that everyone is expected to read widely and enjoy mixing genres, so I wanted to throw in two influences that I thought might be more unique.

eta: Also, if no one is going to eat the squid, can I keep it?


I definitely approve of different answers. I know mine were somewhat general. There are other more unique ones, But I was just trying to start us off.


As for the squid, I've done some divining, and I must say it appears the squid is the Guardian of the Interstices. If you want to be the care-taker, cool. But I don't think we should mess with her too much. You never know when the floor might liquefy, and drop you into a pool of molten cauliflower.
 

Cranky

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I definitely approve of different answers. I know mine were somewhat general. There are other more unique ones, But I was just trying to start us off.


As for the squid, I've done some divining, and I must say it appears the squid is the Guardian of the Interstices. If you want to be the care-taker, cool. But I don't think we should mess with her too much. You never know when the floor might liquefy, and drop you into a pool of molten cauliflower.

Molten cauliflower? Hmmm. If it were just a *little* bit cooler, it would make for a nice little hot tub. Yummy, too, with some cheese.
 

Shweta

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I think interstitial fiction began, for me, with a growing understanding of language. When I became conversationally fluent in French, and I was able to read novels in French for the first time, I realized that the way you would say something in French is vastly different from how you would say it in English.

That's really interesting to me.
It's another take on having different perspectives and thus writing from multiple perspectives...

And I feel that this sort of writing has more to do with mixed/ambiguous premises/world views/perspectives than with the more concrete "elements" that go with different genres. Like, magical realism has more to do with how the story logic works than with the presence of particular supernatural elements, maybe?

Also, I've always been a fan of word art. I'm a big fan of the book Drawings on Writing and my mom (a neuroscientist) always says that you need to stimulate more than just verbal synapses in the brain.

Oh that is a completely cool book! :heart: :drools: Thanks for the link :)

eta: Also, if no one is going to eat the squid, can I keep it?

The squid eats its paper hat and looks at you for more.

>>
 

Shweta

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The squid had a paper hat? Is it rag paper or wood-pulp? I can't stand a squid who wears wood-pulp. I had to chop the last one up with a gladius and feed it to my pet shark, Jackson. Even after we adopted a baby platypus togther.

Well, Esopha thought about giving her one,and in dream logic thinking about doing something causes it to happen.

I'm sure it was rag paper; wood pulp is too direct a production method. I think it may have been purple. But then, I'm in a purple sort of mood.
 
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