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#26 |
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work in progress
Join Date: Mar 2010
Location: Dublin
Posts: 84
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thanks for all the advice people. some excellent stuff here. gonna apply it to the book i'm reading presently.
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#27 |
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work in progress
Join Date: Mar 2010
Location: Dublin
Posts: 84
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#28 | |
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Retired Illuminatus
Join Date: Sep 2010
Location: The sovereign state of Baja Arizona
Posts: 4,290
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I did this a lot in my early writing years. I do it now to punish my subconscious when I'm blocked.
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Dangerous Bill 'Lessons at the Edge' - College student and his mother's best friend share an apartment. CAUTION: Explicit, 18+ http://www.amazon.com/Lessons-Edge-P...ns+at+the+edge Reviewed 'two thumbs up' at Erotica Revealed. |
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#29 |
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Professional (Re)Writer
Join Date: Oct 2010
Posts: 203
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Treasure this ability. It's truly a gift. Until I learned to shut down the writer in me and just read a book for the sake of reading it, I was limited to just 3 authors who didn't annoy me beyond all reason. Sometimes it's better to not analyse a book, and simply appreciate the fact that you have one to read.
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#30 |
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work in progress
Join Date: Mar 2010
Location: Dublin
Posts: 84
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hmmm
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#31 | |
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Retired Illuminatus
Join Date: Sep 2010
Location: The sovereign state of Baja Arizona
Posts: 4,290
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I used to copy passages verbatim from authors I admired. I see things that way that I don't see by mere reading.
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Dangerous Bill 'Lessons at the Edge' - College student and his mother's best friend share an apartment. CAUTION: Explicit, 18+ http://www.amazon.com/Lessons-Edge-P...ns+at+the+edge Reviewed 'two thumbs up' at Erotica Revealed. |
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#32 |
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huh? You want the what with the who now?
Join Date: Jan 2011
Location: Massachusetts, USA
Posts: 6,327
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I read for pleasure, and usually analyze after reading because that's a pleasure too, for me. Later, when I'm writing, if I get stuck on a certain kind of scene, I'll go hit my bookshelves and look for how my collected authors handled similar kinds of scenes. I tend not to copy any of them, but it's like seeking expert opinions.
ETA: And of course, reading a lot improves our language skills, which makes us better writers, too.
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Hell is other people. -- Jean Paul Sartre Rule of thumb: Mura is not subtle. Come and see the violence inherent in the system! Help! Help! I'm being oppressed! The Grand Navigators, collaborative fantasy adventure party. Cafe Muravyets, hang out of lazy writers. Art: Portfolio and Studio Blog. |
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#33 | |||
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practical experience, FTW
Join Date: Jul 2010
Location: Shrieking in my own shack
Posts: 291
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Also, I critique stories on another web site for writers, and this has helped my writing tremendously. Yes, it's made me more critical, but I also pay a lot more attention to what I'm doing and why. |
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#34 |
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Seashell Seller
Join Date: Feb 2007
Location: Seashore
Posts: 2,292
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I would recommend that you take a novel you really like and write and outline of it. Work your way through chapter by chapter. Just list the events, giving page numbers. Reduce the entire thing to a just-the-facts "tell". Indicate scene change (that way you can get a word count for a given scene. If you number the scenes you'll know how many scenes make up that novel) Note how the author conveys information or increases tension. Note where they take a page and a half to describe and event that you've listed in one sentence. (numbering the pages makes this clear) Then do a one sentence summary of each chapter and a 1 paragraph summary of each act.
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すべての武器を楽器に Last edited by Layla Nahar; 03-05-2011 at 10:10 PM. |
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#35 | ||
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(wannabe) writer of Orcotica
Join Date: Aug 2009
Location: in the depths of my tbr pile
Posts: 4,353
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Something that frustrates me to no end is when someone advises to 'read good books by good authors'. As soon as I can get an understanding of what makes a book good or an author good, I'll be golden. In the meantime, I was reading what interested me. Maybe it was good, maybe it wasn't. As is so often the case, what one writer considers good, another doesn't so I knew I was pretty much on my own on figuring out what and who is considered 'good'. All I knew was what I liked or didn't like.
I'm gonna plug a website for Alexandra Sokoloff . Desperate to figure out how to do this elusive 'study how other writers do it' in a way that didn't leave me stumbling in the dark, growing more frustrated with every passing piece of advice of 'read good books/writers', I picked up this website on screenwriting tips for authors. Once I understood the basic underlying structure to a story done in script form, a light bulb went off over my head and from there I've been able to read more critically, as well as for enjoyment. It's taken me leaps and bounds ahead of where I was. Yes, I know books are not exactly like scripts. But once I gained the understanding of story structure, started recognizing the terminology and how it all fit together, reading on a more critical level started to fall into place for me.
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My sort-of-not-really blog. |
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#36 |
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Impractical Fantasy Animal
Join Date: Apr 2005
Location: Pittsburgh, PA, USA
Posts: 4,230
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You can make a plot outline of a book - see how many sections of plot there are, and how many pages or words each section of the plot is actually made up of. You can count what the percentage of dialogue to narration is. You can highlight things like character development, visual description, and plot advancement different colors to see their percentages and pattern of distribution.
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#37 | |
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Banned
Join Date: Feb 2011
Location: Amsterdam, the Netherlands
Posts: 1,737
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