Uh-oh - simultaneous subs to e-pubs?

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I'm not sure if this is better here or over in e-pub - I'll try it here, since it involves romance publishers...

I was under the impression (lord knows where I picked it up) that e-publishers were generally okay with simultaneous submissions, unless they stated otherwise. But I was just reading on another board and the opinion was pretty much unanimous in the reverse.

The knotted pit in my stomach may have something to do with the story that I have out right now to both Ellora's Cave and Samhain - not exactly the publishers I'd have wanted to piss off. I mean - I could get rejected by both, in which case it's all a wash, but I think the story's pretty good, definitely my best yet.

Suggestions? I didn't mention in either e-mail that it was a simultaneous submission - I thought I wasn't supposed to bother notifying them unless someone else picked up the story. But possibly I'm all wrong on that.
 

Dee Carney

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Simultaneous subs are acceptable provided you let them know you are doing so. I've done it my entire career. As soon as you receive an offer, notify the other party--either offering them the chance to back to you within two weeks with a decision, or that you're withdrawing it from consideration. With two major publishers, I was asked by the editor to sub directly to her from then on instead of going through the general submissions email. It's always worked out for me.

Good luck!
 

RosalieStanton

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As soon as you receive an offer, notify the other party--either offering them the chance to back to you within two weeks with a decision, or that you're withdrawing it from consideration.

I have a submission with Samhain, Ellora's, and LSB. I've let them know it's a simultaneous submission. I really appreciate this advice, and just wanted to know how effective you've found this tactic.
 

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So you let them know it's simultaneous when you submit, rather than when it's accepted elsewhere?

Do you know if this has any effect on the way they process the submission?

And - sorry to be a nuisance, but - how exactly do you phrase it. Like, in your initial e-mail, you say, "Thank you for taking the time to consider my manuscript. I have also submitted it elsewhere, and will advise you immediately if it becomes unavailable."? (Actually, that sounds okay, doesn't it? I thought about including something like that when I first submitted, but I didn't because I couldn't find the words. But that's not terrible...)
 

VoireyLinger

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phrasing would simply state that this MS is also with an editor at another publisher and you will keep all parties advised as to status. If you get an offer from pub1 while waiting on pub2, write pub2 and advise them you have received an offer/request from another pub and has pub2 had a chance to review it yet.

Most likely you will either get a quick pass or a response from an editor.
 

Dee Carney

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I have a submission with Samhain, Ellora's, and LSB. I've let them know it's a simultaneous submission. I really appreciate this advice, and just wanted to know how effective you've found this tactic.

As I've said, it's always worked out for me. If, for example, I preferred the story go to X publishing house, I might give X two to four weeks of lead time with the story before then simul subbing to Y and Z publishing houses.

Kate_Sherwood said:
how exactly do you phrase it.

I say something along the lines of "This manuscript is being submitted to other publishers at this time. Should the status of its availability change, I will be sure to let you know."--or something along those lines.

And yes, I always tell them up front.
 

Angela James

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I can tell you that the publishers you named won't get angry about simultaneous submissions, so let that knot in your stomach go. The wording you proposed for the query letter was fine. I think the important thing is that you let pubs know up front it's simultaneous, and that you let them know immediately when it's no longer available.

Speaking from the publisher point of view, I don't mind simultaneous submissions at all, it makes perfect sense for me for an author to submit to a few places at a time. That said, it DOES irritate me when someone submits a project and then emails in under a week saying it's been accepted elsewhere. Because then all that's happened is the support staff has had to spend time entering and updating the info into the system--without any chance of us even getting to look at it because most reputable publishers don't have a week turn around time. So not even giving the publishers a chance to read it at all is kind of...eh. If you're going to submit to several publishers, and you know one of them has quicker turn around time and you'd be happy if that one offered you a contract, so you'd pull your submission anyway, then possibly you may want to consider submitting just to them first.

Alternately, I really appreciate it when someone has a submission in with us and lets us know it's been contracted but says they'd still like us to look at it and would we be able to do so within 2 weeks (2 weeks is a reasonable time frame in these cases). This, of course, is not necessary if the pub who offered a contract is the one you really want to publish with, but if you think you'd rather publish with me, I appreciate that opportunity.
 

Dee Carney

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That said, it DOES irritate me when someone submits a project and then emails in under a week saying it's been accepted elsewhere.

At the risk of irritating one of my own publishers--eep!--here's how I avoid this exact scenario. If X says they take 12 weeks to reply, Y takes 8 weeks and Z takes 6 weeks. I'll sub to X first, wait 4 weeks and then sub to Y and then two weeks later sub to Z. That way, in theory, I'll get all of my replies around the same time. Everyone's also had a chance, hopefully, to read at least some of it.
 

hillaryjacques

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Most of the websites tell whether they accept simultaneous submissions, and I know Samhain says to let them know about activity on other submissions. Can't recall on the others. Just stick a line at the end of the submission letter stating you've submitted elsewhere and will advise them if you receive an offer from another publisher.
 

Deb Kinnard

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I've never really understood what all the fuss is about. After all, once you get an agent, s/he will send out to multiple pubs all at the same time, or very closely spaced. And those houses don't seem to go ballistic about it. But we're told, by and large, not to...

Life's too short. Nodding to Angela, who knows more about the other side than I, but I once subbed to a house who took 18 months to reply. One house never replied though I sent polite "status" notes twice a year or so. Was I really supposed to treat those books as "dead" for all that time? I was getting gray hairs as it was.

Before my agent and I signed, I tended to give the houses 6-8 weeks before I sent out again. I figured if they were feelin' the lurrve, they had sufficient time to contact me and make an offer. For the books I sold on proposal, the publisher got back to me within a week or two.

My take, YMMV.
 

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Well, yesterday I sent an e-mail apologizing for my oversight to the two publishers, and I got a response from one of them today, telling me that "Regrettably, we have reviewed your submission and feel this story is not right for us or our readers."

It could just be a coincidence, I guess, but given that they say the usual turn-around time is about six weeks, and they've had the MS for less than two - I'm guessing that they were pissed off either about the simultaneous submission or about the fact that I informed them belatedly. I guess the MS could just be so crappy that they didn't need to do more than take a quick look at it, but - well, damn. I kind of wish I hadn't sent the e-mail, now, so that I'd be sure that my MS was rejected on its own merits (or lack thereof) rather than because I screwed up on the submission.

Oh well, live and learn, I guess. At least I'm not depending on sales to pay my mortgage!

 
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absitinvidia

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Definitely be up front about it, and be sure to keep up with communications about it.

I heard about an author who placed the same story in two anthologies, then claimed she "forgot" to tell Editor A that it had been accepted by Editor B--this while both anthologies were in page proofs. Not a good way to stay on editors' good sides!
 
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