Holly Lisle, a fantasy author, has on her website a collection of guidelines and suggestions for writers which you might enjoy. Although I think much of her information will be old-hat for the majority of you here, some of it may be new or useful.
http://hollylisle.com
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There was recently a discussion of "literary fiction" here at AW. Ms. Lisle is apparently not a great fan of that kind of literature. Here is what she says (in connection with her advice to send editors only the kind of stuff they publish):
"When I was teaching for Writer's Digest, my students were matched to my interests... But one, who described himself as a future SF writer, decided... that he wanted to write a literary novel of life in academia, and sent along his first chapter, and told me he figured this would be a good learning experience for both of us.
Wrong. I have read such books. I uniformly loathe them. I would sooner go back to my day job than be forced to wade through endless hundred-word passive-voice sentences and passive scenes of flat characters indulging in self-pity and navel-contemplation. My idea of editing such a book would consist of setting each page of the manuscript on fire individually and mailing the ashes back to the author....
But you're saying, what difference could it make if you send your book to an editor who hates that sort of thing. After all, how could it come back to haunt you? Do I even remember this guy's name after all these years?
You bet I do."
http://hollylisle.com
-------------------
There was recently a discussion of "literary fiction" here at AW. Ms. Lisle is apparently not a great fan of that kind of literature. Here is what she says (in connection with her advice to send editors only the kind of stuff they publish):
"When I was teaching for Writer's Digest, my students were matched to my interests... But one, who described himself as a future SF writer, decided... that he wanted to write a literary novel of life in academia, and sent along his first chapter, and told me he figured this would be a good learning experience for both of us.
Wrong. I have read such books. I uniformly loathe them. I would sooner go back to my day job than be forced to wade through endless hundred-word passive-voice sentences and passive scenes of flat characters indulging in self-pity and navel-contemplation. My idea of editing such a book would consist of setting each page of the manuscript on fire individually and mailing the ashes back to the author....
But you're saying, what difference could it make if you send your book to an editor who hates that sort of thing. After all, how could it come back to haunt you? Do I even remember this guy's name after all these years?
You bet I do."
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