There has been much made in recent years of the sounds of fear - indeed, several films have played with the strange sounds which give people pause for reflection on what they consider to be "strange" - the abysmal way in which most of these have been handled doesn't invalidate the use of sound, but highlights the delicate touch required to properly implement the use of acoustic horror.
One quote which consistently makes me think about the way sounds are incorporated into storytelling is the oft-overlooked "the scariest sound in the world is children's laughter in an empty room". Playing off this, and using the introduction of senses in prose to their fullest, highlight what you believe to be the scariest sound you can imagine.
For those who want to play further, you can also utilize smell to enhance the mood of the piece, though (an added wrinkle for those accustomed to traditional horror pieces) I would rather visual descriptions were left out, or dealt with in unconventional ways - the notion that something is indescribable is something of a cheat.
That should keep people busy and out of trouble for a while...
One quote which consistently makes me think about the way sounds are incorporated into storytelling is the oft-overlooked "the scariest sound in the world is children's laughter in an empty room". Playing off this, and using the introduction of senses in prose to their fullest, highlight what you believe to be the scariest sound you can imagine.
For those who want to play further, you can also utilize smell to enhance the mood of the piece, though (an added wrinkle for those accustomed to traditional horror pieces) I would rather visual descriptions were left out, or dealt with in unconventional ways - the notion that something is indescribable is something of a cheat.
That should keep people busy and out of trouble for a while...