So I sent one of my scripts to a lit agency (actually a query first and then they requested it) and I finally heard back from them today. It was a no on that one, but I emailed the lady back and asked if I could send her the script for my feature drama, and she said can you send me a synopsis? So I sent her a query with a short synopsis. She emailed me back on that query today as well and said she didn't usually go for what my script was about, but she liked my writing and she said that I should send her the PDF. Okay, question: Should I be jumping for joy at this point that she immediately requested something from me again, or do you think she's just giving a noob a second shot? Is it possible that she really might like it, or is she doing me a favor and just hoping that I'll go away? The fact that she said she liked the last one kind of gave me hope, but it was kind of a kids show, and they don't usually do kids shows, which is probably why that probably didn't work for her. But anyway, what do you think my chances are? Good as any, or better, or worse? I know there is still a chance for disappointment, but right now I am feeling pretty hopeful. What do you think?
Agent question
- Thread starter gambit924
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I've no idea what your chances are, but if they have your script on their desk or on their screen, at least you have a chance. Even getting that far is a step in the right direction. Fingers and tentacles crossed, but remember to breathe. And keep working on your next project.
-Derek
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Good for you. Getting a read is positive feedback on at least two fronts. Your 'pitch package' - that is your logline and synopsis - are obviously doing their job, and getting you a read. And your 'approach' - is congenial, and that's a HUGE thing. Nobody wants to deal with whiner or crazy person.
So... "YAY". That's definitely a good thing. An achievement you should be pleased with.
The read can result in 'Not for us, thanks.' - OR "This isn't what we want, but we have something we would like you to look at, and perhaps RE-write for us" (YAY... work is good) - Or "Is it available? We'd like to option this". (Double Yay)
As to the jumping up and down, save your legs. It's a marathon, not a trampoline. Meanwhile - keep writing.
So... "YAY". That's definitely a good thing. An achievement you should be pleased with.
The read can result in 'Not for us, thanks.' - OR "This isn't what we want, but we have something we would like you to look at, and perhaps RE-write for us" (YAY... work is good) - Or "Is it available? We'd like to option this". (Double Yay)
As to the jumping up and down, save your legs. It's a marathon, not a trampoline. Meanwhile - keep writing.
I'm don't understand the line bolded above. Who is they? The industry? The agent? Or did you send your script to a ProdCo?
Also, in what state/city is this agent located?
Just trying to get a clear view here.
Submitted the first script to this same agent. She said that it read more like a middle grade book and that she couldn't represent it. The one I sent yesterday was a full length film script drama, and I am hoping that she likes it. The agency is located in Los Angeles. Actually it is Evatopia. I thought that if she would want to represent this one, it might be a good agency to start out with, and then move on once I became more experienced...Or whatever.
I think EVATOPIA is a management company - not an agency. There is a difference, and I think you should know this if you're considering representation. (I assume if you knew she was a manager, the heading of this topic would have been "Manager question" rather than "Agent question.")
Managers are a better way to start for new writers, as they devote the necessary time and attention that a newbie needs. So it isn't a bad move in the least.
But have you done your homework on Evatopia? Do you know who she represents? Do you have a list of her most recent spec sales? What do you know about her business? Unlike agents, managers do not have to be bonded, so anyone can claim to be a manager and hang a shingle.
The only thing worse than having representation is having representation you know nothing about. Don't blindly rush into a relationship with a rep simply because she's a rep. You will be sorry.
I hope you offer an epilogue to this thread and let us know how it all turns out.
Managers are a better way to start for new writers, as they devote the necessary time and attention that a newbie needs. So it isn't a bad move in the least.
But have you done your homework on Evatopia? Do you know who she represents? Do you have a list of her most recent spec sales? What do you know about her business? Unlike agents, managers do not have to be bonded, so anyone can claim to be a manager and hang a shingle.
The only thing worse than having representation is having representation you know nothing about. Don't blindly rush into a relationship with a rep simply because she's a rep. You will be sorry.
I hope you offer an epilogue to this thread and let us know how it all turns out.