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Franz

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I need advice! I am well into my research phase of my novel. I have to start giving some thought on how to tell the reader the story:

My uncle was in the navy during the "Cold War." He flew what was then called "The Atlantic Barrier" Basically the navy had round the clock air cover extending from Newfoundland to the Azores. At the same time, there were four naval destroyers at sea on the same line; the destroyers were for communications with the aircraft. The purpose of all of this was to detect any Russian subs, aircraft, or missiles. Both the aircraft and destroyers were fitted with the latest radar equipment. They were in an "always fly" mode, which means, regardless of weather, planes flew, and destroyers manned their stations. In February of 1958 my uncle's plane, with 22 on board vanished without a trace. This initiated one of the largest search and rescue efforts ever launched, lasting for over a week, with no results. Through my research, I have been communicating with several of the sailors and aviators who were involved.

My original goal was to tell just the story of my uncles' lost flight. Because of my research, I now think the "whole story" of The Atlantic Barrier needs be told. This brings me to the "How."

Here are my questions:

Should I use fiction or nonfiction? If I go NF, I have specific questions:

Can it be interesting enough for the reader? I think of a similar true story by Sebastian Junger, "The Perfect Storm," which certainly held the readers attention. I have researched some of what he went through on preparing for his book and have found that I am in a similar position in my research. One of his biggest obstacles was winning the confidence of the fishermen, so he could get the real story. I think I have the confidence of the crews I am interviewing. In addition, like Junger, I will never know what really happened.

Is there a more desirable POV in nonfiction as compared to fiction? One thought I had was to tell the story through the Personnel Officer. I have been communicating with him and he has a real understanding of the big picture, and he was very involved in the incident. He was the one that communicated with the families of the crewmembers. I thought I could have real control of the time line by using his communications as prompts for flashbacks. He also could be helpful in introducing characters.

Another interesting POV might be from one of the pilots, I am in touch with a couple. One flew the exact same plane the mission before the ill-fated flight.

Like Junger, I could use one of the missing crewmembers, my uncle.

How technical do I get with it in regards to aviation, radar, and navy destroyers?

My research shows the probable cause was mechanical. One of the benefits to fiction is, I could really open it up and bring the Russians into it.

Any ideas would be greatly appreciated.

Thank you,

Franz
 

Edward G

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Well, first let me say, that I would find the story interesting if it were done in fiction narrative, but not if it were in non-fiction. Just like the book "A Civil Action" is true, but it's done in fiction narrative. For that matter, the same is true of the Gospel.

Also, I've spent many days in the Azores, so I'm familiar with the area you're talking about, so I would find the story interesting.

And this is just my opinion, but I think you should do it like the Perfect Storm, and the story should be told from one of the crewmembers POV. This is all I have to contribute, unfortunately, but thank you for giving me the opportunity to do so.

Good luck,

Gordon
 

FloVoyager

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Agreed. You'll have a better chance of keeping me interested in a particular character's experience of something than a historical treatise.
 

PeeDee

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Actually, I'd rather enjoy reading it as non-fiction. It seems to me that the storyline of it, if it were written as fiction, would seem worryingly like Tom Clancy's stuff, or Clive Cussler, and I like neither of them. But I do enjoy a good non-fiction book on an interesting subject (which this does sound like.)
 

J. Weiland

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Franz; whether you chose fiction or non-fiction should really depend on which angle to the material you find to be the most interesting. You should do what you would most like to do.

Do you want to do narrative history, where you give the facts as they were presented to you? Do you want to write nonfiction a la In Cold Blood where you present what you believe to be the truth?

Or do you just want to have fun weaving a tale spattered with truths concealed as fiction?

You should write what you feel for, what you would most enjoy doing, what you would most like to present to others to read, what you yourself would like to read.

It sounds to me as if you have some material with a lot of potential. Write what you would like to write. ;)
 

PeeDee

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Fra
Do you want to do narrative history, where you give the facts as they were presented to you? Do you want to write nonfiction a la In Cold Blood where you present what you believe to be the truth?

I didn't realize it until you mentioned it, but in Cold blood-style is exactly how I'd love to read something like this. That'd be cool.
 

Manat

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I'm of a different mind.


I'm sure it would make an interesting fiction but I love true adventure stories. The Perfect Storm, John Krakauer's, Into Thin Air, and Anatoli Boukreev's the Climb, and best of all Shackelton's, South. If you've got an amazing intriguing story peopled with unforgettable real life characters why make it fiction? Just be sure to remember the real story is about the people, and don't let that get lost in the details. None of the people I've mentionned did, and they wrote wonderful books. I can honestly say I've never read a fictionalized adventure more exciting or compelling than these stories are.
 

Franz

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Thanks for the help everyone.

I have another question: If I write it as a true life adventure, I do not know how much information I can get on the real characters after all these years. Is there anything wrong with taking "authors liberties" and filling in the blanks?

Thanks again,

Franz
 

BuffStuff

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Franz,

I wouldn't take the 'fill in the blanks' approach and still call it non-fiction. Of course, its done in memoir quite often--but its not really supposed to be. I'd be a bit irritated if I was reading a non-fiction book and I found out the author basically used fiction for the parts he couldn't remember/research.
 

Cav Guy

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Much of how you approach the story depends on the scope and your intended target market, IMO. If you do the whole Atlantic Barrier (or even just the entire S&R effort), I'd say go non-fiction, make it the best you can without filling in any blanks with fiction, and then target a publisher like the Naval Institute. This sounds like something "ready-made" for them.

If I were doing this story, I'd do it non-fiction for sure. There's going to be enough action you won't need to fictionalize, but you could "mine" the research for some fictional stories to be sure.
 

scribbler1382

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What's the end of the story? What really happened to your Uncle's ship? I think it would be sort of unsatisfying as non-fiction. But, as fiction, you could take the "author's liberties" you mentioned with the characters, as well as craft your own ending. You could always put a note in the back telling the true story and talking about your Uncle.

Just a thought.
 
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