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Rejection and the Psychedelic Furs

By The Grim Reader

You dedicated months, years even, outlining, treating, and writing your story. The time finally arrived for you to send it out into the world. Armed with business envelopes, manuscript boxes, and a hundreds of stamps, you cautiously handed it over to the USPS. You had nothing but faith that some mysterious agent, producer, or publisher would be overcome with the same passion you felt for your baby.

Instead, you became an unwilling player in the waiting game. Everyday you checked the mailbox or jumped at the ringing phone, hoping against hope that some Head Honcho came to his senses and wanted to offer you a sweet deal. But only surly telemarketers seemed to have your number and the mailbox spit out only bills.

Suddenly, one magical day, you got a letter from the Big Daddy Superginormous Management/Publishing/Production Company. That was is it! The moment you had been waiting for. With wild-eyed excitement, you ripped that sucker open.

You knew right away that the news wasn't good-- a form letter starting with "Dear Writer." The rest went like this:

"Thank you for your submission, but we are not producing, representing, or publishing your type of material at this time, blah, blah, blah."

Or:

"Thank you for your interest in us, but we are not interested in you. Good luck, blah, blah, blah."

No matter how confident or skilled a writer is, rejection letters still pack a powerful punch to the gut. Since there is no guarantee that even the best efforts will yield positive results, the only thing a writer can do is suck it up and use these helpful hints.

Acknowledge your present greatness. 

It takes tremendous courage to put yourself out there. Despite fear and definite possibility of failure, here you are, living outside the comfort zone.    

You could be doing so many other things that would yield quicker, more tangible results, like getting that accounting degree or marrying the rich geezer around the corner.

But, you decided to dream BIG. Good for you.  

Don't take it personally. 


The rejection was just an opinion from another human being. That's all. Learn to separate your self (ego) from your work.

Listen to criticism. 

If you are lucky enough to receive suggestions on how to improve your work, consider that a gift.

Creative work is like a new lover. The tendency is to overlook its flaws and exaggerate its positive points. However, our friends view our lover in a different light. They see how she/he picks their nose when we aren't looking, the special way she/he berates a waitress because the ice water is too cold, or cheat on us with the cashier at Blockbuster.

That is why an outside opinion is great. It gives us the opportunity to see our literary work through another's eyes. Sometimes we are surprised with the interpretation or that she didn't like it as much as we thought she should.

Take the advice you can use and disregard the rest.

Keep writing. 

Rewrite, rewrite, rewrite. Oh, did I mention rewrite?

And start a new project. 

Understand rejection is the nature of the beast.


Rejection has always been part of being a writer. Accept that and move on.

See rejection as a spiritual exercise.


The Grim Reader is not about to turn this into a Sunday school sermon. But, if everything supposedly happens for a reason, maybe the rejection you're facing is part of a bigger plan. Maybe you were rejected because:

- It's not your time.
 
- You need more preparation or skill building.

-  Rejection, ironically, may help you develop a more secure sense of self. Fiction writing and screenwriting are part of the entertainment industry. That environment, in particular the Hollywood-type of environment, has to be navigated with great care. You had better know who you are before you enter it and be okay with that. If not, others who are stronger or more influential will make you into what they want you to be. 

Moreover, success has been known to be destructive to some. Everyday problems such as drugs, alcohol abuse, eating disorders, and dysfunctional relationships are amplified when success and money enter the picture.

Just look at rejection as a waiting period making you stronger for the potential obstacles you might face. 

Get clear about what you truly want. 

Write down your desire. Then write down the "why" of the desire.

For example:

I want to sell a screenplay so I can make a lot of money.

Then take that further:

I want to make a lot of money so I can buy a house.

Further:

I want to buy a house so I can have my own space and be free to live in that space as I please. That is the true intention.

Now send the desire out to whatever you call God, the universe, your higher power, or quantum physics.

From our example, visualize selling your screenplay and enjoying that house.

But, be warned that things have a funny way of working out.

1. You may find you get exactly what you desired.

2. You may get the reason you wanted the desire (true intention).

3. You may get what you desired in a different form than you expected.  

4. You may get the desire and/or intention when you're ready for it.

5. You may get the desire and/or intention when it aligns with the will of others' needs, desires, or intentions.

Take some inspiration from the Psychedelic Furs.


"You can never win or lose if you don't run the race." ("Love My Way") 

In other words, don't be scared of writing and submitting that material. You'll regret missing an opportunity that could potentially change your life.

 

 

The Grim Reader is a screenplay consulting and book-to-script development service.

 

The Grim Reader specializes in stories "that go bump in the night"-- thriller, horror, mystery, supernatural, and sci-fi.

 

If your story is not of the "bump in the night" genre, The Grim Reader will service it with the same care and professionalism you deserve.

 

Visit www.thegrimreader.com for more details.

 

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