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Agency Profile: Sternig & Byrne Literary Agency
By Christina Hamlett

For this month’s column, I’m pleased to introduce Jack Byrne, owner/agent of the Sternig and Byrne Literary Agency in Milwaukee, Wisconsin.

Q: How long have you been an agent?

A: The agency has been around since the 50s.  I have been an agent since 1995.

Q: What first attracted you to the business of representing writers?

A:  I came into the business backwards.  I was a freelance writer and writing instructor when I met Larry Sternig.  He offered to try to resell my short fiction overseas and we became friends.  When his health began to fail, I became his partner and when he passed away, I took over the business.

Q: What categories are you the most excited about selling these days?

A:  I specialize in science fiction and fantasy; I’m also interested in mysteries.  In addition I have a few longtime clients working in other areas.

Q: How does an author go about becoming a prospective client of your agency?

A: I prefer initial contact to be via query letters; strong preference is given to published writers and those coming to me through referrals. The agency’s current address is 3209 S. 55th Street, Milwaukee, WI 53219-4433;  this will probably change early in 2003.  Check agency web page (http://www.sff.net/people/jackbyrne/) for updated contact information.

Q: Conversely, what really turns you off?

A: Submissions clearly not suited to my areas of interest.  Sloppy presentations and writers who clearly haven’t learned the basics of writing and submitting their work.

Q: Do you charge any fees?  If so, what do they cover and are they charged up front or as reimbursements after the sale?

A: I currently charge no fees.

Q: How many titles have you sold in the past year?

A: Approximately 20, perhaps half of which were either reprints or foreign sales.

Q: What is your commission?

A: 15% domestic; 20% foreign.

Q: What percentage of manuscripts do you reject and what is the most common reason for that rejection?

A: I receive an average of 15 contacts per day.  While I’m guessing here, I’d say that out of every 100 of those I may ask to see a partial for 1.  Of every 50 partials, I may ask to see 1 complete manuscript and perhaps 1 out of every 100 may excite me enough to offer representation. Writing that is sloppy, boring, predictable or simply redoing what’s already been done tends to be high on my list of rejection reasons.

Q: If you could have lunch with any author (living or dead), who would it be and what would you most like to ask them?

A: Sorry, but I’m too busy with my living authors.

Q: What would you say is the most important contribution you make to your clients' careers?

A: I don’t take on material unless I am personally excited about it enough to give it and the author the attention they deserve.

Q: Best words of advice you’d like to give to new writers?

A: Know your field of interest (mystery, science fiction, etc.) so you’re not reinventing the wheel.  Hone your writing skills and your storytelling skills (they are not one and the same).  And write and write and write and…

Former actress/director Christina Hamlett is the published author of 17 books, 98 plays and musicals, and several hundred columns which have appeared throughout the United States, United Kingdom, Canada, Australia, and New Zealand.  She is also a script coverage consultant and mentors writers from around the world on fiction, screenplays, and theatrical scripts.  Website: www.absolutewrite.com/site/christina.htm.

 

 

 

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