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Interview with Jennifer Lynn Barnes

Interview by Sara Polsky

Jennifer Lynn Barnes wrote GOLDEN, her first published novel, at age nineteen. It was released in 2006, her second young adult novel, TATTOO, came out in early 2007, and her newest series, THE SQUAD, will be published beginning in February. Jennifer grew up in Oklahoma and graduated from Yale, where she studied cognitive science, in 2006. She spent a year doing autism research on a Fulbright fellowship at the University of Cambridge and is now back at Yale, where she's working on her Ph.D. This interview was conducted via e-mail.

How did you get into writing? What made you decide to start submitting your work for publication?

I started writing when I was about six or so and never really stopped. For most of middle and high school, I'd start a book, get three or four chapters in, and then start a new one. There were just so many stories I wanted to write that I found it really hard to concentrate on one. Then, my senior year in high school, I decided that I really wanted to finish something, and that's when I wrote my first book-length manuscript. Three more (all in the same series) quickly followed, and I decided to start looking into publishers. Thankfully, nobody was interested in that first series (and I'm certainly not going to let anyone read it now), but over the next year, I just kept working at it, and I finally wrote GOLDEN (which was the seventh book I wrote, but the first I sold) the summer after my freshman year in college. Once I started really writing, I just couldn't stop, even when the rejections piled up. I figured that as long as I was writing (and I couldn't foresee stopping), I might as well just keep trying with publishers. Eventually, it paid off.

How does your writing process work? Do you have any particular writing habits?

I'm not much of an outliner. I tend to write high concept, so the premise for the book (like "girl who sees auras deals with high school cliques" or "friends get supernatural powers from temporary tattoos") is almost always there when I start. Other than that, the only other thing I know to begin with is the main character's name-- everything else I figure out as I go along. I usually write in chapter-long increments (about 2500 words), until I get to the last third of the book, and then I write as much as 12,000 words at once, because the action really picks up and it's hard to pull myself away. More often than not, I write very late at night (between two and four in the morning), after everyone else has gone to sleep. For some books (like GOLDEN and TATTOO), I pick one song that I play on repeat the entire time I'm writing a book, and afterwards, just listening to the song will put me in the right frame of mind for writing that characters' voice. In terms of revisions, I do a lot of them (in part because I often write my first drafts in 2-3 weeks). I'm not the type of writer to get too attached to my words, so I really hack into my books in revision-- I'd rather start from scratch on a chapter than tweak it if something's not working. Because I add new material each time I revise, my books almost always get longer in revisions.

What's your favorite line or scene that you've written?

Wow. Tough question. No spoilers, but there are a couple of scenes I really like in my Spring 08 release THE SQUAD, which is about a group of secret agents whose cover is that they're their school's varsity cheerleading squad. One of the scenes involves my character (who's a wee bit antisocial and aggressive) being recruited to the Squad and finding out its true nature, and another one involves a kiss, but beyond that, my lips are sealed. 

What made you decide to write for young adults? Do you think that, because of your age, people expect you to write YA?

I don't know if people expect me to write YA, but it never really occurred to me to write anything else. I was still a teen when I wrote GOLDEN, so it made sense for me to write for other teens. I never really sat there and thought "I'm writing young adult literature." I just wrote about the things I knew (high school, being the new kid, etc.), and I wrote the kind of thing I liked to read. Even now that I'm a little older, the YA audience is still the one I identify with the most. My dad once told me that he's never felt older than 21, no matter how old he got, and I think I'm pretty much stuck at fifteen or sixteen for good.

It certainly seemed to me in reading GOLDEN and TATTOO that you got the details of high school life right. How much do you draw on your own high school experiences in writing your books?

I don't consciously draw on my high school experience, but it sneaks its way in there. I'm sure that people I went to high school with who read the books think "I wonder who she based that character on," but there's nothing that concrete in the books that came out of my life. Still, I'm still close enough to all of those experiences that I couldn't write without them affecting what comes out. My narrators always have a great deal of myself in them, and my teenage experience creeps its way in as well. 

What books or writers have influenced you the most?

On a personal level, I've been really influenced by S.E. Hinton. Growing up in Oklahoma and knowing that she wrote this incredible book as a teen was a major factor in the fact that I never thought of writing or publishing as something you had to wait until you were "grown up" to do. In terms of storytelling, I think I've actually been more influenced by visual media (like television and film) than by any books I can think of. Shows like "Buffy," "Firefly," and "Veronica Mars" have some really great storytelling, and I've learned a lot about pacing and character just by watching. In terms of other contemporary YA writers, it's hard for me to pinpoint influences, because I actually wasn't reading much YA when I started writing it. Since I wrote my first few books, I've become a big Meg Cabot fan, and I love Sarah Dessen and Scott Westerfeld, but I'm not sure how much of any of them you can see in my work.

Watch for the second part of Sara Polsky's interview with Jennifer Lynn Barnes in next week's newsletter!

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