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Interview with Kirk Russell
Interview by Jenna Glatzer

Kirk Russell was born in the San Francisco Bay area and attended the University of California at Berkeley. He enjoys hand gliding, mountain biking, skiing, cycling, hiking and backpacking. Spending a considerable amount of time outdoors led Kirk to the concept of writing about a detective for the Department of Fish and Game. In researching and writing Shell Games (Chronicle Books, 2003), Kirk traveled with the California Department of Fish and Game, participated in sting operations, arrests, visited safe houses and engaged in surveillance and stakeouts. He continues that work today. Night Game, Kirk's second novel, is due out in October.

Russell's wife, Judy Rogers, is the chef and co-owner of the Zuni Café in San Francisco. She is the author of the award-winning "The Zuni Café Cookbook." He has two daughters: one in college and one in high school. The family lives in Berkeley.

The first thing that strikes me about your debut novel, Shell Games, is its realism.  That's no accident-- you did a remarkable amount of research for this book.  Tell us about it.

In making Marquez’s world, a couple of things worked in my favor.  I’ve lived in California most of my life so know most of the terrain the novel occurs in.  Then, and most significantly, the Fish and Game undercover team, the SOU, befriended me, and they’ve vetted the novels, pointed me back in the right direction when I wrote something that can’t happen.  Of course, all of it is a leap from life. 

What you did takes a pretty big leap of faith.  Not only did you invest a lot of time in researching this book, but you also had to convince the California Department of Fish and Game to let you tag along on stakeouts, sting operations, etc.  How did you approach this and get them to agree? 

I was working on another novel (one lost in a bottom drawer now) and called Fish and Game because that novel had a subplot with an abalone poacher and I had questions about how they’d handle a situation.  A dispatcher in Sacramento at Fish and Game headquarters gave me the names of a couple of officers who might be willing to help me, and then she said…."but you know who you really want to talk to, if you catch him," and that led to leaving messages for the captain who headed the Special Operations Unit. Eventually, I got to meet him, then other officers, and over time have gotten to know a couple of them.  Gradually, opportunities came along where I could get to ride along or see a safehouse or a bust or some other piece that allowed me to start putting Marquez’s life together. 

What made you decide to invest so much time and energy into this first novel?  Were you confident it would sell?

Well, the short answer to that is the first novel didn’t sell, nor did the second, though there were tantalizing moments when a few agents asked to read the manuscript.  When I met the Fish and Game team something happened inside.  Part might have been reaching a point where I understood better what it took to write a novel, but, this is significant to me, I knew immediately this was a character I could truly care about, write, and believe in.  I wanted to make a kind of modern-day hero and I saw the possibility in the what this team was doing and the way they did it.

Now, I've seen plenty of "save the bears," "save the bald eagle," and "save the walrus" campaigns, but "save the abalone?"  Why abalone?

Abalone is not a charismatic creature like a Siberian tiger or a grizzly, but it is a creature that has been a delicacy for hundreds of years in parts of Asia.  It’s highly valued there, and here was plentiful in my childhood.  You could easily get an abalone sandwich or steak on the wharf in San Francisco, and few things taste better.  I watched it gradually begin to fade away.  White abalone is likely to be the first ocean species driven extinct by humankind and so abalone is in some ways emblematic of our inability so far to find a balance with nature.  California loses an enormous number of abalone a year to poachers who can turn and sell each for roughly fifty dollars, and there’s a war underway with them to try and save what’s left. 

What was your writing process like?  Did you have any sort of routine?

I like the very early morning for writing a better sentence and find ideas come most easily later in the day.  My routine varies, though once in a novel I’ve learned never to leave it. 

You were a builder before you were a writer-- in fact, you still run a small building business.  Why did it take you so long to get serious about writing?

The truth is I came out of U.C. Berkeley with an undergraduate degree in Rhetoric in 1978 and thought then I was going to write fiction.  I wrote a novel, couldn’t find an agent, and learned carpentry and kept writing, working on short stories after the construction business grew into a hundred employees and my daughters were born.  Eight or nine years ago we closed that business down, and though I still build, that’s when I turned back to the novel.  I figured it was the last best chance. 

Shell Games sparked a series; your second novel, Night Game, is set to be released this month, and now you're working on a third book in the John Marquez series.  Did you always plan for this to be a series?  Was it sold as a one-book contract, or did your editor anticipate more installments?

It was sold as a two-book deal.  Anyone lucky enough to have Philip Spitzer as an agent knows Philip doesn’t give up.  Shell Games at the time was titled Lost Coast, and while Philip circulated that and gathered rejections, I wrote Night Game.  By the time we had a deal there were two books.  One aspect of writing Marquez is that the team moves around the state which affords a lot of story opportunities.  The second has a bear angle and is set in the mountains in an area called the Crystal Basin, and in Placerville in the foothills.  The third, which I’m hooked into right now, is in the Sacramento/San Joaquin delta.  Sturgeon.  Caviar.  Russian mob.  Should be a good story. 

Seems to me there's more to your books than entertainment; you're also looking to educate readers about environmental responsibility, yes?  How much does this weigh in when you're writing?

It weighs in, but there’s no quicker way to bore than to preach, right?  Nothing is worse than loose facts or something the author learned and just has to share dropped into the middle of a narrative.  So, yes, I do want to carry a flag, but I think what I’m discovering is that’s best done with a thriller pace. 

Tell me about the editing process.  Have you worked with the same editor for all three books?  How has feedback shaped your work?

No one has read any of the third yet, but with the first two my editor read, gave me his notes, and a month to respond.  I tend to edit a lot right up to the bell.  With the burden editors carry in the current publishing environment, I don’t think it’s wise to turn in anything less than you’re already happy with.  I do count on the feedback of friends, especially those who don’t pull punches. 

Is it difficult to avoid clichés while staying within the expectations readers have for the thriller genre?

Sure, it’s hard, and I think best route is to ensure there is an aspect of a character’s personality that sends things a slightly different way.  

What are your best three pieces of advice for aspiring authors?

There are a lot of ups and downs, but the one thing you control is the writing.  So keep writing.  Rewrite and figure out your mistakes.  Never fake anything.  It will always come back to haunt you.  Stuff doesn’t have to be true to real life but it does have to be true to you. 

Visit Kirk's site at http://www.kirk-russell.com/

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Jenna Glatzer is the editor-in-chief of www.AbsoluteWrite.com and the author of MAKE A REAL LIVING AS A FREELANCE WRITER, among other books.  Visit her site at www.jennaglatzer.com and pick up some freebies for writers!

 

 

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