 |
Chandus Jackson, screenwriter and
Disney Fellow |
|
Sheila Hanahan
Taylor, Practical Pictures |
| Ilja von Nagel,
founder of Tribe Hollywood |
|
Holly Mosher and Kathleen Slattery-Moschkau,
producer and writer/director of SIDE EFFECTS |
|
Jason Mitchell, playwright |
|
Syd Field, screenwriter |
|
Pamela Jaye Smith, author of Inner
Drives |
| Wendy Weiner, playwright |
| Larry Brody, Emmy Award winning
writer/producer |
| Dan Danko and Tom Mason, co-story editors
and co-head writers for The Cartoon Network’s “Pet Alien” |
| Jonathan Dorf, playwright and
screenwriter |
| Rebekah Bradford, SPAWN series
writer |
| William Jack Sibley, playwright,
interview by Kate Hutson Olsen |
| Spencer Beglarian,
actor/director/screenwriter/producer |
| Jon Hurwitz and Hayden Schlossberg,
HAROLD & KUMAR GO TO WHITE
CASTLE |
| Jacqueline Samuda, screenwriter,
director, actress |
| Tom Lynch, TV producer |
| Robert McKee, Story |
| Sally B. Merlin, screenwriting consultant |
| Geoff Rodkey, DADDY DAY CARE |
| Henry Gilroy, television animation writer,
BIONICLE |
| Karen Mueller Bryson, playwright |
| Jim Vines, THE PERFECT TENANT |
| Paul Freeman, grand prize winner of the
ACES Screenwriting Competition |
| Marvin Acuna, manager/producer |
| David Basulto and Kerry David,
producers, AGENT CODY BANKS |
| Barry Pearson, THE BOYD GANG |
| Bruce Hidemi Sakow, FRIDAY THE 13TH: THE
FINAL CHAPTER |
| Brian Overland, literary manager |
| Gabrielle Kelly, producer, ALL THE
QUEEN'S MEN |
| Brian Young, screenwriter |
| Alexia Melocchi, President, Little Studio Films |
| Michael Steven Gregory, Silver
Surfer, Spider-Man Unlimited |
| Blake Snyder, BLANK CHECK, STOP! OR MY
MOM WILL SHOOT |
| Mike Rich, FINDING FORRESTER, THE
ROOKIE |
| Paul Allen, playwright and author of Alan
Aykbourn: Grinning at the Edge |
| Christina Hamlett, playwright |
| Joe Ballarini, THE SPY NEXT DOOR |
| Greg Beal, director of the Don and Gee Nicholl Fellowships in Screenwriting,
interviewed by Michael Gill |
| Ryne Douglas Pearson, novelist and
screenwriter, interviewed by Daphne Charette |
| Linda Seger, script consultant, interviewed
by Christina Hamlett |
| Sandy Eiges, script consultant |
| Karl Iglesias, The 101 Habits of Highly
Successful Screenwriters |
| Laura Van Vleet and Gregory Norris,
Star
Trek: Voyager, interview by Daphne Charette |
| Wendi Niad, Niad Management Company,
interview by Mary J. Schirmer |
| Christopher Wehner, Screenwriting On The
Internet, founder of ScreenwritersUtopia.com |
| Stuart Voytilla, Myth and the Movies |
| Carla Winter, co-editor, William
Fox, Sol M. Wurtzel and the Early Fox Film Corporation |
| Charles Newcomb, screenwriter/director,
GET GOOSED! |
| Gayle Kirschenbaum, filmmaker, DOGAMENTARY |
| Jennifer Lerch, 500 Ways To Beat The
Hollywood Script Reader |
| Louis E. Catron: playwriting instructor and
author |
| Rachel Rubin Ladutke, playwright,
librettist, director |
| Sam Quo Vadis, founder of the
Screenplayers |
| Irene Turner, director, THE GIRL'S ROOM,
producer, BILLY'S HOLLYWOOD SCREEN KISS |
| Eric Bress and J. Mackye Gruber
(screenwriters, BLUNT, THE BUTTERFLY EFFECT, and FROZEN) |
| Susan Kougell (screenwriter, consultant,
and author of The Savvy Screenwriter) |
| Mark Sevi (writer of 14 produced films,
including the upcoming ARACHNID) |
| Chris Vogler (screenwriting consultant and
author of The Writer's Journey: Mythic Structure For Writers) |
| Jesus Nebot (actor, producer, director:
Zokalo Entertainment) |
| John Johnson (founder and Executive
Director of the American Screenwriters Association) |
| PJ McIlvaine (screenwriter, MY HORRIBLE
YEAR) |
| Kathy Mackel (screenwriter, MOTHER SHIP,
LEFT BEHIND, ROCK-A-BYTE BABY) |
| Andrea Leigh Wolf (screenwriter, NOWHERE
TO HIDE) |
| Robert Kosberg (Hollywood "pitch
man") |
| George Heller (manager, FourSight
Entertainment Group) |
| Tony Urban (screenwriter, POOR WHITE
TRASH, R.I.P., HIGH POINT) |
| Heather Hale (screenwriter, THE COURAGE
TO LOVE) |
| Mark Troy (screenwriter, playwright) |
| Lynn Barker (screenwriting consultant) |
| Christina L. Hamlett (playwright,
novelist, freelance writer) |
| Eric Heisserer (screenwriter, THE
MANIFESTANT) |
| Stephen H. Mazur and Paul Guay (screenwriters, LIAR
LIAR and LITTLE RASCALS) |
| Frederick Levy (VP of Development and
Production, Marty Katz Productions) |
| Glen Doyle (screenwriter, SOMETIMES A HERO) |
| Robert J. Elisberg (screenwriter,
publicist, non-fiction writer) |
| Neal Stevens (screenwriter, DEADER,
BLAIR WITCH sequel) |
| Daniel Knauf (screenwriter, BLIND
JUSTICE) |
| Marc Norman (screenwriter, SHAKESPEARE IN
LOVE) |
| Rosanne Welch (television writer, TOUCHED
BY AN ANGEL, BEVERLY HILLS, 90210) |
| S. S. Wilson (screenwriter, SHORT
CIRCUIT, TREMORS, WILD WILD WEST) |
| Brent Maddock (screenwriter; S. S.
Wilson's writing partner, see credits above) |
| Mark Atwater (webmaster of Mark's
Screenwriting Page, screenwriter) |
| Karyl Miller (TV writer, screenwriter) |
| Brad Schreiber (screenwriter, consultant) |
| Pauline Baird Jones (screenwriter, novelist) |
| Paul Chitlik (TV writer, producer, novelist, and publisher) |
| Chrissy Blumenthal (VP, Development, Black & Blu Entertainment) |
| Philip Garvin (founder and owner of Colorado Studios) |
| Rob Gallagher (manager, producer, head of literary department at Cyd LeVin
& Associates, Inc.) |
| Finn Taylor (writer/director, DREAM WITH THE
FISHES) |
| Wilt Stillman (director, THE LAST DAYS OF
DISCO) |
| Nick Chinlund (actor/producer, A BROTHER'S
KISS) |
| Andreas Gruenberg (President, Gruenberg Films-- German production company) |
| Ed Bernero (co-creator of THIRD WATCH) |
| Larry Brody (TV writer and producer) |
| Louis Barkan (literary management) |
| Lawrence Mattis (agent: Circle of Confusion) |
| Alan David Perkins (playwright) |
| Jussi Wahlgren (playwright) |
