Hey Blair -
Sorry it's taken me awhile. Just got back tonight from 2nd (?) leg 'o tour. Had an especially fabulous time in Portland at the ultra-fabulous Powell's. If anyone wants to see my AM Northwest
interview, feel free. The hosts are really, really fun. They started the hour talking about a nude bike-riding protest in Denver, so by the time we got to my naked karaoke at the nudist RV park story, it felt kind of tame!
As to your question: I really, REALLY don't think my difficulty finding an agent had anything to do with a bias against psychiatry. First of all, the vast majority of agents I queried are in NY, so by definition, have been in therapy themselves
. But, seriously, I truly believe my loooong search had to do with that pesky platform issue we've all posted on ad nauseum elsewhere on AW. I was even asked by a few, "What bestselling authors can give you blurbs?" Well, duh. As agents, don't they tell all their authors not to read uncontracted ms? (Probably a better term for this, but I'm in "If It's Tuesday, It Must Be Belgium" mode.)
Squire Jerry -
Thanks so much! I'm usually rather querulous (just ask Tim), but if you want to call my book "brilliant" really, who am I to argue? (If you keep going, there just might be a Duchy in this for you.)
As for any comedic style... that's a great question and like all great questions, one I have never pondered. But, I'll try (again, forgive me if I ramble. The middle-aged brain - scratch that - MY middle-aged brain on little sleep and jet-lagged is not a pretty sight): When I decided I wanted to concentrate on comedy in my screenwriting 10 years ago, I started challenging myself to be funnier in "real" life. I really do think like most knacks or talents, it is something that gets better with practice. So, I did. The feedback I got was mainly from other people not getting my jokes (or in some cases getting ready to punch me). I also took a lot of screenwriting workshops which helped a lot.
Prior to leaving on our "bus thing" I took a memoir writing workshop with Kathryn Black and stayed in touch with her. This didn't necessarily help with the comedy or timing per se, but rather with more general aspects of writing in the genre.
In terms of writing comedy, whether screenwriting or QUEEN OF THE ROAD, what greatly helps me is to read everything out loud, in voices. It's amazing the sense I can get of what works and what doesn't, just from taking it off the page. Since my writing tends to have a bit of an "edge," the few things that seemed a little dicey, I'd get Tim's or Kathryn's opinion on. Maybe that's why my mother's biggest objection to what I'd written about her was, "You made fun of my furniture." Whew!!!!!!!