I once read a commentary by a book reviewer (years ago, I can't recall his name) that said a most perceptive thing: "Students are taught to hate Faulkner by being forced to read The Sound and the Fury."
He's right. Not that S&F is a bad book, by any means, just that it's not the first Faulkner you probably should read. Or the second, or third, for that matter.
I had the good fortune of taking an undergrad class in Faulkner many years before present, under a Faulkner specialist. It was at the time, he maintained, the only undergraduate course in the nation specializing solely in Faulkner. For that class, we started with The Unvanquished, then Sartoris, then the shorts in Go Down, Moses, and after that, The Wild Palms. Only with that intro did we get into the books considered Faulkner's heavyweights. Of those, he wanted us to read Light in August first, but at the time it was only available in a very expensive hardback, so we skipped it (I read it after the class was over).
And even then, we put off S&F and As I Lay Dying until after we'd read The Snopes Trilogy; that set of three novels (The Hamlet, The Town, The Mansion) was for me, the high point of the course. I regard the Trilogy as one of the chief accomplishments of American literature. Far too few people are familiar with it.
We finished the course with The Reivers, Faulkner's last novel, and one explicitly intended to be his finale; a fine book in its own right, though somewhat lighter in tone and spirit than the great masterpieces. Faulkner died a short time after its publication.
So, in summary, if you are having trouble with S&F, you might consider tackling some of the more accessible Faulkners first, and The Unvanquished is a very good place to start.
caw
I believe there's a film version of The Reivers.
I once read a commentary by a book reviewer (years ago, I can't recall his name) that said a most perceptive thing: "Students are taught to hate Faulkner by being forced to read The Sound and the Fury."
yip blacbird - that is exactly what happened to me years ago in my little american and british novels class. i don't think i ever read another faulkner novel.
I once read a commentary by a book reviewer (years ago, I can't recall his name) that said a most perceptive thing: "Students are taught to hate Faulkner by being forced to read The Sound and the Fury."
yip blacbird - that is exactly what happened to me years ago in my little american and british novels class. i don't think i ever read another faulkner novel.
Try again. You don't know what you're missing. Jason Compson's famous section begins: Once a bitch, always a bitch. Anyway, I know why you would shy away from Faulkner, but what is important about him is that he was always changing. He never once wrote the same kind of book. SANCTUARY was entirely different than LIGHT IN AUGUST. I remember when I first picked up WILD PALMS, I had to look at the cover again to make sure it was written by Faulkner. Sartre once said about AS I LAY DYING something like, anyone could have written this novel, and then half way through he thought, no one wrote this novel. That's a bad paraphrase, but what he meant, I think, is that it was so damn real. These were real people speaking.
I hope to dedicate this summer to reading him more.
Can I ask everyone, what was your initial attraction to Faulkner? Your favorite novel of his?
I'm kind of wondering how he is viewed in the consensus of today's criticism. In other words, he obviously paralleled familial legacies with the history of the South among many other "hefty ideas," but what are current readers saying about his very historically-confined texts?
Penny for your thoughts
And although his texts may be historically-confined (although, I don't really know if this is true or not), his style wasn't. He was a pioneer at writing fiction, and both he and Ernest Hemingway changed prose more than another other American writers ever, I believe. Not one of my oh-my-gosh-I-love-him authors, but no one can deny his talent and his contribution to writing in general.
Faulkner is not difficult. The idea of reading him has become so. Absalom! Absalom! is probably his best work.