November book study - The Knife of Never Letting Go

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Fenika

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Hello, and welcome to the SF/F Book Study.

This thread is for discussion of The Knife of Never Letting Go by Patrick Ness.

***Spoilers*** will be streaking through this thread unpredictably. You have been warned.

If anyone wants to compare to previous book studies:

2008:
Ender's Game (August)
Lies of Locke Lamora (September)
A Deepness in the Sky (October)
A Fire in the Deep (November)
Storm Front (December)

2009:
I Am Legend (January)
The Onion Girl (February)
Lord of Light (March)
Small Gods (April)
Beggars in Spain (May)
The Once and Future King (June)
Foundation (July)
The Graveyard Book (August)
Neuromancer (September)
The Last Wish (October)

Thank you to Broken Fingers for starting the book study!

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Here is the list, compiled by Fingers, of possible discussion topics. Feel free to tackle something off the list or come up with your own points.
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First of all: Did you enjoy the book? Why or why not?
What was your impression of it?
And I’ll list some of the possible things we can discuss:
The Beginning:
- How effective was the opening hook?
- How effective was the first sentence? The first paragraph? The first page? The first chapter?
- When were you pulled into the author’s world? By the end of the first chapter?
- If not, when?
- How do you think this was accomplished? Or why do you think it wasn’t accomplished?
- What would you have done to change it/make it better?
- If you were an editor, what would your reaction be to the first chapter?
- Why do you think the average reader liked it so much?
And more…
The Protagonist:
- What did you like/dislike about the protagonist?
- How did the author introduce the protagonist?
- How did the author get you to become invested in the protagonist?
- What was different about the protagonist as opposed to other protagonists? What was the same? Did the author make the protag distinguishable? If so, how?
- What techniques did the author use to show the protagonist throughout the story?
- What were some of the characteristics the author gave the character and how did they work/not work?
The Characters:
- Did the author make the characters come alive for you?
- How did he/she do this?
- How were they described?
- How were they distinctive?
And more…
The Setting:
- Was the author’s world convincing?
- Did he/she make you feel you were there? How?
- What about the setting did you like? Not like?
- What would you have done differently?
And more….
The Plot/Story:
- Did you enjoy it? Why or why not?
- Was it different or similar to other plotlines in the genre? How?
- Was it believable? Predictable?
- Were there any twists, turns or surprises?
- Would you have thought of it? How does it compare to your own plotline of your WIP?
- Did it pull you through or did you have to wade through it?
- How was this done or how do you think it should’ve been done?
- If you were buying stories for a publisher, and this manuscript hit your desk (not knowing what you do now about its sales) would you have bought it or expected it to be successful?
- Why do you think the buying public enjoyed it so much?
- What variations, if any, would you have added to the storyline/plot?
And more…
The Style:
- What did you think of the author’s style of writing? Like it? Hate it?
- How much do you think this had to do with the success of the book, if any?
- What type of POV was used? How effective was it? Would the book have turned out different if the POV were done differently?
- How removed was the author from the story or how intrusive?
And more…
The Structure:
- How did the author unfold the story?
- Were the beginning, middle and end equally strong?
- How effective was the way the author gave you all the information?
Was it straightforward? Suspenseful? Predictable? Surprising?
- Could it have been done another way?
- Was it a linear structure or did the scenes jump around? How did this add/detract from the story or your enjoyment of it?
And more…..
The Theme:
- Was there any? What was it?
- Did you think it had an impact on your enjoyment of the story?
- Was it blatant or subtle?
- Do you think the average reader registered this?
- Do you think it may have affected him/her or contributed in any way to the success of the book?
And more…
Conflict:
- What was the main conflict?
- How was it handled?
- Was it a large part of the story or did the author keep it lying under the surface?
- What other conflicts did the author use in the story and when? (Internal and external.)
- What purpose did they serve?
- Would the story have been as enjoyable with less conflict? More?
- What types of conflict could’ve added to the story? Which conflicts subtracted from the story?
And more…
Dialogue:
- Was it realistic?
- Was it readable?
- How did the author handle ‘tags’?
- Was there a lot of dialogue or a little?
- Were there dialects? Slang? Profanity? Vulgarity?
And more…
The Ending:
- Was it satisfying? Why or why not?
- Did it come as a surprise or did you see it coming from page two?
- Would you have ended it the same?
- Was everything resolved?
- Would you be able to write a sequel?
- Would you buy another book from this author?
And more….
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ELMontague

I have the book, finishing Oddest Jobs - Hellboy anthology - first. Should read it later this week.
 

ELMontague

OK, so I've started the book. I'm already hooked on story, but having a really hard time with the style.
 

eyeblink

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I've read it already, but I was waiting until a bit later in the month before doing a comment post. (I already have too many excuses not to get on with my WIP as it is.) But in short, I enjoyed it a lot once I'd got into it. I haven't read the sequel (The Ask and the Answer) yet.
 

ELMontague

I'm finished now. Happy to chat about it. It was a good read in the sense that I was compelled to read the next page to see what happens. Gotta admit, though, I was might disappointed that we didn't tend to Mayor Prentiss or Haven. I hate it when I'm sent to book two without a preamble.
 

ELMontague

As it turns out, I was the only one to read and discuss this book - with some credit to Eyeblink.
 

ELMontague

It's no longer November and The Knife of Never Letting Go didn't really get a fair shake.
 
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