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[This dovetails with my earlier thread - looking for clues/good story ideas ]
[http://www.absolutewrite.com/forums/showthread.php?t=38999]
Last night, I saw for the first time Hiroshi Teshigahara's 'Woman in the Dunes' (1964, B/W), based on Kobe Abe's book of the same name. I liked it - and I will watch it again. But, I have been partial to Japanese cinema for a long time now, anyway.
It has made me wonder, and ask:
i) when is it possible to forgo your preliminary viewing?
ii) can you do too much of this?
iii) do you come to a point where you no longer watch to be entertained, only to begin watching as a conscious exercise in 'study'?
iv) or do you continue to watch to be entertained, and while holding in your mind the question, 'what is a good story idea?', allow the idea to generate itself - an almost organic type of story development?
[http://www.absolutewrite.com/forums/showthread.php?t=38999]
Last night, I saw for the first time Hiroshi Teshigahara's 'Woman in the Dunes' (1964, B/W), based on Kobe Abe's book of the same name. I liked it - and I will watch it again. But, I have been partial to Japanese cinema for a long time now, anyway.
It has made me wonder, and ask:
i) when is it possible to forgo your preliminary viewing?
ii) can you do too much of this?
iii) do you come to a point where you no longer watch to be entertained, only to begin watching as a conscious exercise in 'study'?
iv) or do you continue to watch to be entertained, and while holding in your mind the question, 'what is a good story idea?', allow the idea to generate itself - an almost organic type of story development?
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